Courtesy of Shechen Monastery
A selection of spiritual songs (mgur; glu):
- A Yogi’s Song of Happiness: The Melody that Brings Universal Auspiciousness and Fulfilment by Khenchen Jigme Phuntsok
Khenchen Jigme Phuntsok sang this doha spontaneously in 1996 at a time when various outer, inner and secret obstacles had been overcome. It stresses the importance of meditating on Dzogchen, cultivating bodhicitta, maintaining ethical discipline, and having a positive basic character.
Composed at the cave of Yangleshö in Nepal, this spontaneous song praises the power of this sacred site, a place where Guru Padmasambhava once meditated and gained accomplishment, while also attesting to Khenchen Jigme Phuntsok's own poetic mastery and realization.
In this spiritual song (mgur), the great yogi Milarepa praises the qualities of Kyangpen Namkha Dzong or Jangphen Namkha County (rkyang phan nam mkha' rdzong), which he likens to a palace, and explains why it is so conducive to meditative retreat. The place is listed among the six well-known outer 'fortresses' associated with Milarepa.
This song of amazement originates in a vision that Sera Khandro had while staying in retreat at Nyimalung in Amdo at the age of twenty-nine. The text is her response to the spirits and demons who appeared to her, asking what she was doing.
- Rain of Accomplishments: A Song that Incorporates the Four Mindfulnesses from an Instruction on the View of the Middle Way by Seventh Dalai Lama
This famous song summarizes four forms of mindfulness, which Mañjuśrī taught to Tsongkhapa: 1) mindfulness of the guru; 2) mindfulness of bodhicitta; 3) mindfulness of the body as a divine body; and 4) mindfulness of the view of emptiness.
In this short song the famous yogi Shabkar Tsokdruk Rangdrol explains the essence of all practices, from the contemplations of the outer preliminaries to the practices of the inner preliminaries, and the main practices of the generation and perfection stages.
The great yogi Shabkar Tsokdruk Rangdrol is, like Milarepa, famous for the songs of realization through which he communicated the teachings. In this song, inspired by the repeated appearance of some beggars at his door, he expresses his compassion for all beings—his very own mothers from previous lives—who are now suffering in saṃsāra's various realms.