Buddha Śākyamuni

• Gathering Auspiciousness: A Prayer of Aspiration Made in the Presence of the Sacred Mahābodhi Temple and its Imagery, Magadha, Land of the Āryas by Jamyang Khyentse Chökyi Lodrö

Jamyang Khyentse composed this prayer of aspiration at the request of his student Yakzewa Gyurme Drakpa at the Mahābodhi temple in Bodhgaya in January 1958.

• The Sage who Dispels Mind’s Anguish: Advice from the Guru, the Gentle Protector Mañjuśrī on the Means of Accomplishing the Yogas of Śamatha and Vipaśyanā by Dilgo Khyentse Rinpoche

Dilgo Khyentse Rinpoche adapted this teaching on śamatha and vipaśyanā from The White Lotus, Mipham Rinpoche's supportive teaching (rgyab chos) for the Treasury of Blessings sādhana of Buddha Śākyamuni. The text explains how to accomplish both śamatha and vipaśyanā in the context of that practice and clarifies the relationship between Buddha Śākyamuni, the yidam deity and the guru.

• Guru Yoga of the Guru Mahāmuni by Jamyang Khyentse Chökyi Lodrö

A simple guru yoga based on Buddha Śākyamuni, which Jamyang Khyentse composed at the sacred site of Bodhgaya in December 1957.

• The Merry Sea of Blessings: A Guru Yoga of the Lord of Sages, Peerless Teacher of All, Including the Devas by Jamyang Khyentse Chökyi Lodrö

Jamyang Khyentse wrote this guru yoga focusing on Buddha Śākyamuni (including his sambhogakāya form as Vajradhara and dharmakāya as Samantabhadra) in January 1958 at Rajgir (ancient Rājgṛha) following a visionary experience several days earlier at Bodhgayā.

• How Our Supreme Teacher Generated Bodhicitta and Other Topics by Jamyang Khyentse Chökyi Lodrö

Notes on a number of topics, including how Buddha Śākyamuni generated bodhicitta and completed the accumulation of merit over three incalculable aeons, the four kāyas, the twelve deeds, and the three councils. The text is undated and has no colophon, but it is possible that Jamyang Khyentse drew upon Zhuchen Tsultrim Rinchen's (1697–1774) catalogue (dkar chag) to the Derge Tengyur or a similar source.

• Inscriptions for a Set of Thangkas Depicting the Twelve Deeds by Jamyang Khyentse Chökyi Lodrö

Mantras and verses to be inscribed on a set of thangka paintings depicting the twelve deeds (mdzad pa bcu gnyis) of Buddha Śākyamuni.

• Śākyamuni Buddha Inscription by Jamyang Khyentse Chökyi Lodrö

A four-line aspiration that was apparently inscribed on the back (verso) of a painted image of Buddha Śākyamuni.

• Śākyamuni Inscription by Jamyang Khyentse Chökyi Lodrö

This short aspiration was inscribed on the back (verso) of a painted image of Buddha Śākyamuni.

• Turning the Wheel of Dharma Inscription by Jamyang Khyentse Chökyi Lodrö

This short inscription is taken from the back (verso) of a painted image of Buddha Śākyamuni turning the Wheel of Dharma.

• Short Praise of the Buddha's Deeds attributed to Āryaśūra

Although not to be found in the Tengyur, this short praise of Buddha Śākyamuni's deeds is commonly attributed to the Indian master Āryaśūra and became very popular in Tibet.

• Cymbals of the Devas: In Praise of the Lord of Sages, Peerless Teacher to All, Including the Gods by Jamyang Khyentse Chökyi Lodrö

A poetic praise of the Buddha's qualities, which Jamyang Khyentse composed at the Mahābodhi Temple, Bodhgaya, in 1956.

• Jamyang Lodrö Gyatso’s Prayer of Unwavering Faith Upon Journeying to the Noble Land of India for a Second Time by Jamyang Khyentse Chökyi Lodrö

Jamyang Khyentse composed these verses of praise, prayer and aspiration when travelling to India for a second time, in or around January 1958.

• Praise of the Twelve Acts of the Buddha by Jigme Lingpa

In a series of poetic verses Jigme Lingpa pays homage to the Buddha Śākyamuni by recalling his most significant deeds, from his initial descent from the heaven of Tuṣita to his final attainment of parinirvāṇa.

• In Praise of the Stūpas at the Eight Great Sacred Places by Nāgārjuna

This text (Toh 1133) is the longer of Ārya Nāgārjuna’s two short eulogies praising the stūpas at the eight great sacred places commemorating significant events in the life of the Buddha.

• In Praise of the Stūpas at the Eight Great Sacred Places by Nāgārjuna

This text (Toh 1134) is the shorter of Ārya Nāgārjuna’s two short eulogies praising the stūpas at the eight great sacred places commemorating significant events in the life of the Buddha.

• In Praise of the Twelve Deeds of the Buddha by Nāgārjuna

This is the version of Dvādaśakārastotra found in the Tengyur (Toh 1135). The text, which is attributed to Nāgārjuna, is a praise of the twelve great deeds performed by the Buddha Śākyamuni.

• Praise of the Buddha: With Skilful Means & Compassion... by Nāgārjuna

Popularly known as "With Skilful Means and Compassion..." (thabs mkhas thugs rje ma), this is the liturgical arrangement of the Dvādaśakārastotra, Nāgārjuna's praise of the twelve great acts performed by Buddha Śākyamuni.

• Verses on the Buddha's Previous Lives attributed to Āryaśūra

This prayer for the accomplishment of the transcendent perfections was adapted from the summarizing verses that appear at the conclusion of each chapter in Jātakamālāṭīkā, Dharmakīrti's extensive commentary on Āryaśūra's famous Jātakamālā, or Garland of Birth Stories. (This covers the first four transcendent perfections only; additional verses for the remaining perfections and birth stories were composed by the Third Karmapa, Rangjung Dorje).

• Supplication to Lord Buddha together with the Sixteen Arhats by Jamyang Khyentse Wangpo

A simple four-line prayer to Buddha Śākyamuni and a retinue of the sixteen elders.

• Prayer to the Sovereign of Dharma and Retinue by Mipham Rinpoche

This eight-line prayer to the Buddha, Eight Great Bodhisattvas and Sixteen Arhats was written at the end of the Fire Sheep year (early 1908).

• The Treasury of Blessings: A Practice of Buddha Śākyamuni by Mipham Rinpoche

Ju Mipham composed this sādhana of Śākyamuni Buddha, or '[Śākya]muni-ritual' (thub chog), at the request of Orgyen Tendzin Norbu (1841–1900). Both the sādhana and its vast 'supporting teaching' known as The White Lotus (rgyab chos padma dkar po) are among the most popular of Mipham's works.

• Jātaka Series

• Sixteen Arhats