Jamyang Khyentse Chökyi Lodrö Series

Tibetan MastersJamyang Khyentse Chökyi Lodrö

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Jamyang Khyentse Chökyi Lodrö

Jamyang Khyentse Chökyi Lodrö

Name variants:
  • Dharmamati
  • Jampal Gawé Gocha
  • Jamyang Lodrö Gyatso
  • Kunzang Ösal Nyingpo
  • Pema Yeshe Dorje
  • Tsuklak Lungrik Nyima Mawé Sengé
Further Information:

Compassionate incarnation of the blessings of Khyentse Wangpo,

In whom the wisdom of Mañjughoṣa and the rest,

All the buddhas and bodhisattvas are gathered together,

Lodrö Gyatso, at your feet I pray!

Texts by and about the renowned non-sectarian master Jamyang Khyentse Chökyi Lodrö ('jam dbyangs mkhyen brtse chos kyi blo gros, 1893–1959) of Dzongsar:

Advice

Written in verse, this short text addresses some of the sectarian attitudes and activity attributed to the controversial Gelugpa teacher Phabongkha Dechen Nyingpo (1878–1941) and his supporters.

Pithy and practical, this advice — composed at the request of Garje Khamtrul Rinpoche, Jamyang Döndrup (1928–2019) — summarizes the key points of the path of Dzogchen, the Great Perfection.

Simple advice on investigating the origination, presence and departure (byung gnas 'gro gsum) of thoughts and resting without fabrication or contrivance in order to see the essence of mind.

In the form of an address to himself, Jamyang Khyentse delivers some urgent and uncompromising advice, before offering a heartfelt prayer to his teacher and concluding words of aspiration.

Jamyang Khyentse offered these words of heart-advice, encapsulating the entire Buddhist path, to Khandro Tsering Chödrön, his spiritual consort.

This pithy text of advice offered to Ani Pelu of the Lakar family covers the entire path, but with a special focus on Dzogchen meditation, Guru Yoga and preparation for the moment of death.

In response to a question from his spiritual consort, Khandro Tsering Chödrön, Jamyang Khyentse explains the essence of the path in just a few lines. (Khandro's question is in the form of an acrostic poem, the opening syllables of its four lines being the first four syllables of the Tibetan alphabet).

Jamyang Khyentse wrote this playful text on the real nature of sickness to console Rabchok, a student who had fallen ill.

Amitābha

Aspiration Prayers

A simple visualization and some additional verses to be recited before and after the famous prayer known as Samantabhadra’s “Aspiration to Good Actions” (bzang spyod smon lam).

A prayer of confession and aspiration, calling upon all the gurus, buddhas and bodhisattvas. It was written in 1953, during what Jamyang Khyentse himself describes as a bout of sadness.

Jamyang Khyentse wrote this prayer following the untimely passing of Princess Sangay Deki in Sikkim in 1957. The prayer is for the enlightenment of all with whom he was connected, even those who merely heard his name, but especially his devoted followers and disciples.

This three-verse aspiration for rebirth in Amitābha's pureland of Sukhāvatī was composed on the 22nd day of the eleventh month of the Earth Dog year (January 1, 1959).

Jamyang Khyentse composed this short prayer for the spread of the Guhyagarbha Tantra teachings in Darjeeling, 1958, after explaining Lochen Dharmaśrī's commentary to a small group of disciples.

Written in 1957, the year that Jamyang Khyentse first arrived, this is a prayer for happiness in Sikkim and the fulfilment of the aspirations and prophecies of great masters of the past concerning the welfare of its people.

Written in Bodhgaya at a time when Tibet was facing great turmoil and an uncertain future, this is a non-sectarian prayer for the spread of the Buddhist teachings (bstan rgyas smon lam) in all their authentic forms.

Auspiciousness

Benedictory Verses

Biographies

Catalogues

Dharma Protectors

Dzogchen

Guru Rinpoche Prayers

A four-line prayer to Orgyen Dorje Chang—the Vajradhara of Oḍḍiyāna—to purify habitual patterns and realize the clear light of rigpa.

An aspiration to be reborn on the Copper-Coloured Mountain of Glory, or Zangdok Palri, in the company of Guru Padmasambhava and his retinue.

This prayer was composed in 1956, the Fire Monkey year, at Samye, while Jamyang Khyentse was offering a tsok feast in the presence of the special ‘Looks Like Me’ image of Guru Padmasambhava (gu ru nga 'dra ma) .

Khyentse Chökyi Lodrö wrote this prayer in Lhodrak Kharchu on the tenth day of the monkey month in the monkey year (1956)—a point in the Tibetan calendar that holds particular significance for followers of Guru Padmasambhava.

Written in 1934/35, this short prayer identifies our own pristine awareness, or rigpa, as Guru Padmasambhava, the Lake-born Vajra (mtsho skyes rdo rje).

A four-line prayer to Guru Padmākara, the embodiment of all gurus, chosen deities and ḍākinīs, for the pacification of obstacles and the spontaneous fulfilment of all wishes.

Written in 1956, this is a prayer to Guru Padmasambhava and his consorts, especially Mandāravā and Yeshe Tsogyal.

A very short, six-line prayer to Guru Padmākara for the elimination of obstacles and fulfilment of wishes.

Guru Yoga

Jamyang Khyentse composed this brief guru sādhana, which focuses on the first human Dzogchen master Garab Dorje, in 1953 following what he describes as a dream experience.

This guru sādhana (bla sgrub) focuses on the master logician Dharmakīrti, but the text also makes apparent reference to one of Jamyang Khyentse's main teachers, Khenpo Kunzang Palden (c.1862–1943), who is also known as Kunzang Chödrak, or Samantabhadra Dharmakīrti.

A guru sādhana (bla sgrub) of Dolpopa Sherab Gyaltsen (1292–1361), in which he appears as the embodiment of the Lords of the Three Families— Avalokiteśvara, Mañjuśrī and Vajrapāṇi.

A guru yoga featuring the great adept and teacher Lochen Chönyi Zangmo, who is here identified with Yeshe Tsogyal and Vajrayoginī.

Jamyang Khyentse composed this guru yoga practice focusing on Marpa Lotsāwa during a visit to the great translator's former residence at Sekhar in Lhodrak.

A guru yoga focusing on the so-called Three Mañjuśrīs of Tibet, i.e., Longchen Rabjam (1308–1364), Sakya Paṇḍita (1182–1251) and Tsongkhapa Lobzang Drakpa (1357–1419). Here, Jamyang Khyentse further identifies Longchen Rabjam with the bodhisattva Vajrapāṇi and Tsongkhapa with the bodhisattva Avalokiteśvara.

A simple, unelaborate practice based on the principle that "naked ordinary awareness... is the wisdom mind of the glorious guru."

Lineage Prayers

Long Life Prayers

A four-line prayer for the longevity of Jamyang Khyentse Chökyi Lodrö, which was later adapted into a popular supplication.

This four-line prayer for the longevity of Jamyang Khyentse Chökyi Lodrö describes the master’s qualities using the trope of threefold categories.

Jamyang Khyentse composed this prayer entitled 'Removing Obstacles in the Life of the Ḍākinī' (ḍā ki'i sku tshe'i 'phrang bzlog) for the longevity of his consort Khandro Tsering Chödrön (Āyu Dharma Dīpam) at the request of Parkö Chöpel, a carver of printing blocks at Dzongsar.

A short prayer for the long life of Jigdal Sakya Dagchen Rinpoche (1929–2016), head of the Puntsok Podrang, and his eldest son Mañjuvajra Rinpoche (b. 1953), alias Dhungsey Minzu Sakya.

It was while he was staying in Lhasa in the mid-1950s that Jamyang Khyentse Chökyi Lodrö composed this prayer for the long life of His Holiness the Dalai Lama.

Jamyang Khyentse Chökyi Lodrö wrote this shorter long-life prayer for His Holiness the Dalai Lama, in three four-line verses, in the sacred place of Yamalung near Samye (most likely in 1956).

Mind Training

Pilgrimage

Jamyang Khyentse composed this prayer at the actual site of the famous Boudha stūpa, known to Tibetans as "Jarung Khashor" (bya rung kha shor), while he was staying in the Kathmandu Valley in 1956/7.

This short prayer, which is addressed directly to the sacred stūpa of Svayambhū (known to Tibetans as Pakpa Shingkun—“Noble All-Trees”) in Nepal, was composed at the site itself, and is part of a series of prayers addressed to the three major stūpas of the Kathmandu Valley.

A prayer to the three main stūpas of the Kathmandu Valley: Jarung Khashor or Boudha, Svayambhū, and Namo Buddha, which commemorates the bodhisattva Mahāsattva's sacrifice to a starving tigress.

This is a poetic guide to the sacred site of Yangleshö (yang le shod) near the village of Pharping to the south of the Kathmandu Valley, where it is said that Guru Padmasambhava attained the level of a Mahāmudrā vidyādhara. Jamyang Khyentse wrote the text following a series of visionary experiences; it has the quality of a revelation and ends with a series of cryptic prophecies.

Verses in praise of three sacred sites: Rājgṛha (rgyal po'i khab), the ancient capital of Magadha; Vulture Peak (bya rgod spungs ri), where Buddha taught the Prajñāpāramitā sūtras; and Nālandā (nālendra), site of the famous monastic university.

Jamyang Khyentse composed this prayer of aspiration at the request of his student Yakzewa Gyurme Drakpa at the Mahābodhi temple in Bodhgaya in January 1958.

A panegyric on Devāvatāra or Sāṃkāśya, the place where Buddha supposedly returned to earth after spending a rainy season teaching Abhidharma to his mother and others in the deva realm.

A short poetic text in praise of Kuśinagara, the scene of Buddha Śākyamuni's final act, passing beyond this world and into parinirvāṇa.

Although entitled a praise of Vārāṇasī, this short poetic work concerns Sarnath or Ṛṣipatana, located approximately 10 kilometres from that ancient city. It was in the deer park of Sarnath that Buddha Śākyamuni first taught, setting in motion the Wheel of Dharma.

Verses in praise of the sacred site of Yangleshö (yang le shod) near the village of Pharping to the south of the Kathmandu Valley, where it is said that Guru Padmasambhava attained the level of a Mahāmudrā vidyādhara.

In this verse text, probably composed in 1958, Jamyang Khyentse playfully marvels at modernity and expresses a sense of wonder upon encountering the vast Indian city of Kolkata and all its unfamiliar attractions for the first time. The real highlight of the city as he sees it, however, is the chance to view the Buddha's relics, which were housed at the Indian Museum.

Composed in 1955 when Jamyang Khyentse passed through the area, this is a short verse text in praise of Redreng/Reting, the famous monastery founded by Atiśa's foremost disciple, Dromtönpa Gyalwé Jungné, in 1056–1057.

Jamyang Khyentse wrote this text in praise of Lhodrak Kharchu as he passed through the sacred place in 1956. The site is associated with Namkhai Nyingpo, who is said to have attained accomplishment here through the practice of Yangdak Heruka.

This short prayer to the sacred stūpa at Namo Buddha, which commemorates the Buddha's sacrifice—during one of his previous lives—of his own body to feed a hungry tigress and her cubs, is part of a series of prayers addressed to the three major stūpas of the Kathmandu Valley.

A short poetic text in praise of Śrāvastī (mnyan yod), where Buddha Śākyamuni spent many rainy seasons and where, it is said, he defeated rival teachers in a contest of miraculous ability. Jamyang Khyentse composed the work during a visit to the town in 1956.

Tso Pema (mtsho padma) or 'Lotus Lake' in Rewalsar, Northern India is identified with a lake in the ancient kingdom of Zahor, which was created, it is said, when the king and his ministers attempted to burn Guru Padmasambhava and his consort Mandāravā alive. The master transformed his funeral pyre into a lake, where he appeared, unharmed and seated upon a lotus.

Jamyang Khyentse composed this poem in praise of Lumbinī, the site of Buddha's birth and a major place of pilgrimage, during a visit in the late 1950s.

Praise

An acrostic poem in praise of Thönmi Sambhoṭa who is credited with inventing the Tibetan writing system and composing the first Tibetan grammatical treatises.

Composed during the ceremonies that followed the death of Princess Sangay Deki in 1957, this short texts focuses on the ultimate significance of Vajrasattva as the teacher of threefold tantra.

In this verse panegyric, Khyentse Chökyi Lodrö praises the great Machik Labdrön (ma gcig lab sgron, 1031–1129) and incorporates references to many key terms and concepts from the Chöd ('Cutting') practice for which she is renowned.

Three verses in praise of the Sakya lama Jamyang Gyaltsen (1870–1940), who is known primarily for his efforts to gather and publish the collected writings of Gorampa Sonam Senge (1429–1489).

Khyentse Chökyi Lodrö praises the great eleventh-century poet and yogi Milarepa, describing him as a ‘crown-jewel’ among the many siddhas, or accomplished adepts, to have appeared in the Land of Snows.

In these verses, Jamyang Khyentse highlights the special qualities of Jigme Lingpa (1730–1798) by describing his superiority to the majority of scholars, adepts and authors.

A short text in praise of the 'Lords of the Three Families' (rigs gsum mgon po), i.e., Mañjughoṣa, Avalokiteśvara and Vajrapāṇi.

Jamyang Khyentse wrote these verses in praise of the famed 11th-century Indian paṇḍita Smṛtijñānakīrti in 1958 after an inspiring dream of the master.

Jamyang Khyentse composed this poetic hymn to Sarasvatī while travelling along the Ganges river in the Fire Monkey year (1956).

These verses in praise of the great Sakya master Jamyang Loter Wangpo (1847–1914) were composed at the behest of Tsangsar Choktrul Rinpoche.

Verses in praise of the great lord of yogis (rnal 'byor dbang phyug) Virūpa, who is renowned as a mahāsiddha on account of his mastery of tantric practice.

Verses in praise of the famous Mādhyamika master Candrakīrti that the author composed in Darjeeling towards the end of his life.

Jamyang Khyentse wrote this hymn in praise of the goddess Sarasvatī while he was visiting Palpung Monastery in Eastern Tibet. The text includes her mantra, the recitation of which is said to bring increased intelligence.

Verses in praise of Mañjughoṣa written at the behest of the Third Palpung Öntrul—five verses in praise of the deity's body, speech, mind, qualities and activity, followed by a verse of dedication.

Jamyang Khyentse composed these verses in praise of the famous upāsaka Candragomin when feeling inspired by the master’s life story.

Jamyang Khyentse composed these verses in praise of the famed Sakya scholar Gorampa Sonam Senge in 1958 following a vivid experience that brought the master clearly to mind.

Prayers

A prayer to invoke the blessings of five key figures in the Heart Essence (snying thig) tradition of the Great Perfection: Vimalamitra, Melong Dorje, Kumārarāja (Kumaradza), Longchen Rabjam and Jigme Lingpa.

A short prayer written at the request of Thinley Norbu Rinpoche (1931–2011).

This prayer to Jamyang Gyaltsen occurs twice in the latest version of Jamyang Khyentse Chökyi Lodrö's collected writings. The colophon to this second occurrence provides the circumstances of its composition: when Jamgyal gave the reading transmission for his new 13-volume edition of Gorampa Sonam Senge's writings at the Dragang retreat centre.

A short, four-line prayer to Butön Rinchen Drup (1290–1364), which Khyentse Rinpoche composed on the basis of a dream experience.

This prayer, composed at the request of a physician, invokes Jamyang Khyentse as a manifestation of Khyentse Wangpo and requests his inspiration and blessing to realize the true nature of mind.

This prayer to Jamyang Khyentse Wangpo, Jamgön Kongtrul and Jamyang Khyentse Chökyi Lodrö was written for Jamyang Sonam, prince of Yönru in Lithang.

A short supplication to Karse Kongtrul Khyentse Özer (1904–c.1953), who was a reincarnation of Jamgön Kongtrul and son of the Fifteenth Karmapa.

A short, four-line prayer to Yeshe Tsogyal, "the foremost of ḍākinīs" and "Great Bliss Queen".

A short, four-line prayer to Vimalamitra, the great paṇḍita and Dzogchen master.

Written in Darjeeling in 1958, this supplicated is addressed to Guru Padmasambhava, Tārā (in two forms), Vajrakīla and Mahākāla.

A prayer to six master scholars from the Sakya tradition: Ngorchen Kunga Zangpo (1382–1456), Dzongpa Kunga Namgyal (1432–1496), Yaktön Sangye Pal (1350–1414), Rongtön Sheja Kunrig (1367–1449), Gorampa Sonam Senge (1429–1489) and Śākya Chokden (1428–1507).

A short four-line prayer to Atiśa composed in October 1956 on the master’s anniversary.

A brief prayer to the Nyingtik master Adzom Drukpa Drodül Pawo Dorje (1842–1924), who was one of Jamyang Khyentse's most important Dzogchen teachers.

Jamyang Khyentse composed this ten-verse prayer to the famed Sakya scholar Gorampa Sonam Senge following an auspicious dream some time in 1952 or 1953.

A non-sectarian prayer invoking many of the greatest luminaries in Tibetan Buddhist history, from King Trisong Detsen and the twenty-five disciples of Guru Padmasambhava down to Jamyang Khyentse Wangpo and Jamgön Kongtrul.

Recitation Guides

Sādhanas

Songs

A spontaneous song in which Jamyang Khyentse mourns the passing of Tertön Sogyal Lerab Lingpa (1856–1926) and calls upon him to continue his work through a further incarnation.

A simple song of advice addressed to yogins and yoginīs in acrostic form, meaning that each line begins with the successive letters of the Tibetan alphabet—an effect that is (inadequately) reproduced in the translation.

A spontaneous song of joy, composed while on pilgrimage to Nepal in late 1956.

Composed in 1949, this song of lament is addressed to Jamyang Khyentse's principal guru, Jamyang Loter Wangpo (1847–1914). The song expresses the author's grief and sadness at his own misfortune for having failed to encounter his master in visions or dreams.

Jamyang Khyentse wrote this lamenting prayer in early 1944 as soon as he heard that his teacher, Khenpo Kunzang Palden, had died just a few days earlier in late December 1943.

A devotional invocation of the great Sakya patriarch Kunga Nyingpo (1092–1158) with a request for his blessings and assistance on the path.

A short song of realisation that succinctly describes the ground, path and fruition of Mahāmudrā.

Jamyang Khyentse composed these verses in November 1925 upon learning of the passing of his teacher Katok Situ Chökyi Gyatso (1880–1925). The text makes it clear that Katok Situ's death occurred in the ninth month of the Wood Ox year.

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