Jamyang Khyentse Chökyi Lodrö Series

Tibetan MastersJamyang Khyentse Chökyi Lodrö

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Jamyang Khyentse Chökyi Lodrö

Jamyang Khyentse Chökyi Lodrö

Name variants:
  • Dharmamati
  • Jampal Gawé Gocha
  • Jamyang Chökyi Lodrö Rimé Tenpé Gyaltsen Palzangpo
  • Jamyang Lodrö Gyatso
  • Kunzang Ösal Nyingpo
  • Pema Yeshe Dorje
  • Tsuklak Lungrik Nyima Mawé Sengé
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Compassionate incarnation of the blessings of Khyentse Wangpo,

In whom the wisdom of Mañjughoṣa and the rest,

All the buddhas and bodhisattvas are gathered together,

Lodrö Gyatso, at your feet I pray!

Texts by and about the renowned non-sectarian master Jamyang Khyentse Chökyi Lodrö ('jam dbyangs mkhyen brtse chos kyi blo gros, 1893–1959) of Dzongsar:

Advice

This simple advice covering the entire Buddhist path was composed at the request of Degyal Rinpoche (b. 1937).

In this appeal to Hindu worshippers who practise animal sacrifice, Jamyang Khyentse explains the karmic consequences of taking life and questions how compassionate deities could ever sanction such a rite.

Written in verse, this short text addresses some of the sectarian attitudes and activity attributed to the controversial Gelugpa teacher Phabongkha Dechen Nyingpo (1878–1941) and his supporters.

Verses of crucial advice covering the whole path but especially the practice of Dzogchen, composed at the request of someone named Asé Chatralwa.

Pithy and practical, this advice — composed at the request of Garje Khamtrul Rinpoche, Jamyang Döndrup (1928–2019) — summarizes the key points of the path of Dzogchen, the Great Perfection.

Verses of pithy advice for the Sakya khenpo Jamyang Losal Zangpo (1919–1993).

This general advice, written for a student called Karma Chöchok (karma chos mchog), includes the Tibetan syllable ang — indicating insistence or encouragement and translated here as "hey!" — in each of its first four verses.

These verses of advice for Khenpo Jamyang Losal emphasize the importance of recognizing the view and practising guru yoga.

This remarkably concise and pithy instruction on Dzogchen practice and preparation for death was composed for Ane Kalchö of Lakar.

Verses of advice on the path in general and the approach of the Indivisibility of Saṃsāra and Nirvāṇa ('khor 'das dbyer med) in particular.

A verse on resting in the nature of mind, which is said to have been composed for Palpung Situ Pema Wangchok Gyalpo (1886–1952).

In just four verses, Jamyang Khyentse summarizes the instructions on the three sets of vows—pratimokṣa precepts, bodhisattva vows and tantric samayas—and shares the key to Mahāmudrā and Dzogchen.

General advice for a Nyingma lama called Gyalsé Kunnyi (Kunzang Nyima?) belonging to the Nyang (myang) clan.

These pithy verses of advice for an unnamed disciple cover the entire path from the outer preliminaries through to the advanced yogas of the generation and perfection phases.

Written for a disciple named Osam (Orgyen Samdrup? Orgyen Samten?), this short text in verse covers the whole path from the most basic contemplations of the outer preliminaries through to the highest form of meditation.

Concise counsel on every stage of the path, from recognizing the preciousness of a human life onwards, composed for an unnamed disciple.

Simple advice on investigating the origination, presence and departure (byung gnas 'gro gsum) of thoughts and resting without fabrication or contrivance in order to see the essence of mind.

In the form of an address to himself, Jamyang Khyentse delivers some urgent and uncompromising advice, before offering a heartfelt prayer to his teacher and concluding words of aspiration.

These few lines of verse, taken from the advice section of Jamyang Khyentse's collected writings, are effectively an aspiration for mastering the Dzogchen practice of Tögal.

Jamyang Khyentse offered these words of heart-advice, encapsulating the entire Buddhist path, to Khandro Tsering Chödrön, his spiritual consort.

This practical instruction in just a few lines covers the path of Dzogchen by highlighting only its most crucial elements.

Pithy counsel for an unnamed tulku.

Simple pithy advice covering the entire path, from contemplating the preciousness of human life through to meditation on the Great Perfection.

A simple instruction based on the so-called Four Dharmas of Gampopa: 1) turning the mind toward the Dharma, 2) making progress along the path, 3) clarifying confusion, and 4) allowing confusion to dawn as wisdom.

This pithy text of advice offered to Ani Pelu of the Lakar family covers the entire path, but with a special focus on Dzogchen meditation, Guru Yoga and preparation for the moment of death.

In response to a question from his spiritual consort, Khandro Tsering Chödrön, Jamyang Khyentse explains the essence of the path in just a few lines. (Khandro's question is in the form of an acrostic poem, the opening syllables of its four lines being the first four syllables of the Tibetan alphabet).

Requested by a Paksam Gyatso, this general advice in verse covers the entire path from the preliminaries through to the most advanced meditation and its fruition.

This warning of the dangers of criticising a guru from whom one has received empowerment—and to whom one therefore has samaya commitments—was written in the wake of opposition to Jamyang Khyentse's decision to take a consort.

Among the best-known compositions of Jamyang Khyentse Chökyi Lodrö, this short text in verse provides an introduction to the history and practice of Tibetan Buddhism and concludes with an appeal for nonsectarianism. It was written at the request of the Indian diplomat and author Apa Pant (1912–1992).

A comprehensive guide to the Mahāyāna path in the Sakya tradition written at the behest of a lama referred to as Kangyurpa.

A short song of advice on the theme of the 'Three Greats', i.e., Great Middle Way (Madhyamaka), Great Seal (Mahāmudrā) and Great Perfection (Dzogpachenpo).

General counsel, including a simple Dzogchen instruction, composed for an unnamed disciple.

Verses of general advice on how to practise the path, from the preliminary contemplations through to the more advanced practices of the generation and completion phases, written for an unnamed student.

Jamyang Khyentse wrote this playful text on the real nature of sickness to console Rabchok, a student who had fallen ill.

Amitābha

Arts & Crafts

Aspiration Prayers

A simple visualization and some additional verses to be recited before and after the famous prayer known as Samantabhadra’s “Aspiration to Good Actions” (bzang spyod smon lam).

An aspiration for the spread of the teachings of the so-called Eight Great Chariots of the Practice Lineage (sgrub brgyud shing rta chen po brgyad): Nyingma, Kadam, Sakya, Marpa Kagyü, Shangpa Kagyü, Kālacakra, Pacification and Severance, and Approach and Accomplishment of the Three Vajras.

A prayer of confession and aspiration, calling upon all the gurus, buddhas and bodhisattvas. It was written in 1953, during what Jamyang Khyentse himself describes as a bout of sadness.

Jamyang Khyentse wrote this prayer following the untimely passing of Princess Sangay Deki in Sikkim in 1957. The prayer is for the enlightenment of all with whom he was connected, even those who merely heard his name, but especially his devoted followers and disciples.

This three-verse aspiration for rebirth in Amitābha's pureland of Sukhāvatī was composed on the 22nd day of the eleventh month of the Earth Dog year (January 1, 1959).

Extracted from a longer prayer entitled Aspiration Written in Sadness During the Water Snake Year, this is an aspiration to take rebirth in Amitābha's paradise of Sukhāvatī, the Land of Great Bliss.

Jamyang Khyentse composed this short prayer for the spread of the Guhyagarbha Tantra teachings in Darjeeling, 1958, after explaining Lochen Dharmaśrī's commentary to a small group of disciples.

A short prayer for the spread of the tradition of Chokgyur Dechen Lingpa, Jamgön Kongtrul and Jamyang Khyentse Wangpo and for the flourishing of the teachings at Tenchok Gyurme Ling (rten mchog 'gyur med gling), the seat of Chokgyur Lingpa, better known as Neten Monastery.

A prayer for the flourishing of the teachings composed on the occasion of bestowing the name Orgyen Tekchok Ngesang Tupten Pelgye Ling (o rgyan theg mchog nges gsang thub bstan 'phel rgyas gling) on the new temple at Takmo Monastery (stag mo dgon).

Jamyang Khyentse composed this prayer of aspiration after reading the Words of the Buddha during the first month of the Earth Dog year (1958), a period of great turmoil within Tibet.

In this prayer, composed at Bodhgayā, Jamyang Khyentse praises the features of the place Tibetans call the Vajra Seat (rdo je gdan), by comparing it to a celestial realm, and aspires to be reborn there in future.

A brief invocation of the abbots of Ngor, from Kunga Zangpo (1382–1456) through to Könchok Lhundrup (1497–1557), followed by an aspiration to emulate their conduct and realization.

A short prayer for the flourishing of the Katok branch of the Nyingma tradition, composed in Katok monastery's great temple in 1934.

Written in 1957, the year that Jamyang Khyentse first arrived, this is a prayer for happiness in Sikkim and the fulfilment of the aspirations and prophecies of great masters of the past concerning the welfare of its people.

Jamyang Khyentse says that he saw a particularly crucial need for this prayer for the spread of Padmasambhava's tradition, which also incorporates aspirations for the flourishing of the Kadam, Sakya, Kagyü and Gelug schools and the lineages of Chokgyur Dechen Lingpa, Jamyang Khyentse Wangpo, Jamgön Kongtrul Lodrö Thaye, and Ju Mipham Namgyal Gyatso.

Composed on the very first day of the Tibetan year of the Water Dragon (26 February 1952), this short prayer invokes the power and truth of the Three Jewels and Three Roots, especially Dorje Drakpo Tsal, in order to overcome invading armies.

An aspiration to recognise the true nature of each stage of the bardo experience, from the moment of death and accompanying stages of dissolution through to the bardo of becoming, and thereby attain awakening.

This thirteen-verse prayer, written in 1934, calls upon the Three Roots to witness a series of aspirations related to the Mahāyāna path, including elements of the Vajrayāna.

An aspiration to be reborn in the eastern pureland of Abhirati (mngon dga'), the realm of Vajra Akṣobhya. The text is included in the Shechen edition of the Rinchen Terdzö as part of Longsal Nyingpo's (1625–1692) Longsal Dorje Nyingpo (klong gsal rdo rje snying po) cycle.

Jamyang Khyentse appears to have composed this aspiration following the death of his mother, Tsultrim Tso—referred to here as Tsultrim Chökyi Drolma. In it, he vows to remain in saṃsāra until she and all other beings, his mothers from earlier lives, attain awakening.

This aspiration, written during an unspecified snake year, incorporates the key elements of the Mind Training teachings, such as taking on others' suffering and giving away one's own happiness, and perfecting relative and absolute bodhicitta.

In this prayer of aspiration, composed in 1955, Jamyang Khyentse calls upon all gurus, yidam deities, ḍākinīs, protectors, wealth deities and other guardians of virtue to come to the aid of Tibet and its people.

This prayer to emulate the aspirations of Akṣobhya and take rebirth in his pureland of Abhirati appears in the collected writings of Jamyang Khyentse Chökyi Lodro (1893–1959), where it is attributed to Drimé Zhingkyong.

Jamyang Khyentse composed this aspiration, which calls upon the Lamdré lineage gurus and deities of the Hevajra maṇḍala as witnesses, while practising guru yoga as a preliminary to the Hevajra recitation.

Written in Bodhgayā at a time when Tibet was facing great turmoil and an uncertain future, this is a non-sectarian prayer for the spread of the Buddhist teachings (bstan rgyas smon lam) in all their authentic forms.

This prayer, which Jamyang Khyentse composed while in Darjeeling, most likely in 1958, invokes various deities and masters associated with all Tibetan lineages in a spirit of nonsectarianism before seeking their assistance in fulfiling a series of aspirations.

One of several aspirations for the flourishing of the Nyingma tradition that Jamyang Khyentse composed, this one focuses especially on the Vajrayāna teachings.

Auspiciousness

Behavioural Guidelines

Benedictory Verses

Benedictory verses (spar byang smon tshig) for an as yet unidentified text on the Jonang tradition, possibly written by Dodrupchen Jigme Tenpai Nyima (1865–1926).

Verses of aspiration written for the publication of A Brilliant Elucidation of Logical Reasoning (rigs lam rab gsal snang ba), Ju Mipham Namgyal Gyatso's annotation commentary (mchan 'grel) to Dignāga's Pramāṇasamuccaya.

Aspirational verses composed to mark the publication of Dharmakīrti's famous treatise on logic and epistemology, Pramāṇavārttika, or Commentary on Valid Cognition.

These verses of dedication were appended to an edition of Mipham Rinpoche's famous Seven-Line Prayer guru yoga compiled (with addenda) by Tokden Shakya Shri (1853–1919).

These verses of aspiration are appended to the version of The Clarifying Light: A Prophecy of the Future (ma 'ongs lung bstan gsal byed sgron me) that appears in the 12-volume edition of Jamyang Khyentse's collected writings.

Five verses of benediction written for the colophon of Mipham's White Lotus, a detailed explanation of the Seven-Line Prayer to Guru Padmasambhava.

Aspirational verses for the printer's colophon of an edition of the Verse Summary of the Transcendent Perfection of Wisdom (Prajñāpāramitā-sañcayagāthā).

Biographies

Khyentse Chökyi Lodrö wrote this brief autobiography as a supplement to the collected biographies of lineage masters for the Chöd (gcod) practice known as The Whispered Transmission of Machik's Secret Conduct (ma gcig gsang spyod snyan brgyud) or The Whispered Transmission of Thangtong Gyalpo (thang stong snyan brgyud).

Khyentse Chökyi Lodrö wrote this to supplement the collected biographies of lineage masters for the Chöd (gcod) practice known as The Whispered Transmission of Thangtong Gyalpo (thang stong snyan brgyud). It was Gyurme Jamyang Tenpel (as well as Katok Situ Chökyi Gyatso) who transmitted the practice to Jamyang Khyentse.

Brief surveys, taken from Jamyang Khyentse's personal notebook, of the life of Ngadak Sempa Chenpo Chögyal Puntsok Rigdzin (1592–1656) and the lives of the incarnations of Lhatsün Namkha Jigme (1597–1650)

Translated from audio recordings of talks given in Lerab Ling, France on August 23 & 24, 1996.

Jamyang Khyentse wrote this verse autobiography at the request of Dilgo Khyentse Rinpoche (1910–1991). Its detailed lists of teachings received, practices accomplished and teachings given later formed the basis of the full biography that Dilgo Khyentse himself wrote.

Buddhist Philosophy

Calling the Guru from Afar

One of several texts which Jamyang Khyentse wrote to express his devotion for Dolpopa Sherab Gyaltsen (1292–1361), this prayer of calling the guru from afar opens with a single-line invocation of unusual length.

This practice of calling the guru from afar invokes the guru in the form of the paṇḍita Vimalamitra.

Composed in Darjeeling (most likely in 1958), this short invocation of Rigdzin Jigme Lingpa (1730–1798) calls upon the famed Dzogchen master and treasure-revealer by his various names and invokes his blessings and inspiration.

This long prayer of calling the guru from afar (bla ma rgyang 'bod), which Jamyang Khyentse composed at the request of Khandro Tsering Chödrön (1929–2011), is a heartfelt appeal for the guru's assistance and guidance in turning one's mind towards the Dharma and following the path to awakening for others' sake.

A prayer invoking the omniscient Longchen Rabjam and calling upon his assistance to realize the nature of reality and master the practice of the Great Perfection.

A devotional song for invoking the inspiration and blessings of Jamyang Khyentse Wangpo, Jamgön Kongtrul Lodrö Thayé and Jamyang Khyentse Chökyi Lodrö himself.

Catalogues

Commentaries

Dharma Protectors

Dzogchen

Empowerment Rites

Fulfilment

Gesar

Guru Rinpoche Prayers

A four-line prayer to Orgyen Dorje Chang—the Vajradhara of Oḍḍiyāna—to purify habitual patterns and realize the clear light of rigpa.

An aspiration to be reborn on the Copper-Coloured Mountain of Glory, or Zangdok Palri, in the company of Guru Padmasambhava and his retinue.

A short supplication of Guru Padmasambhava as the Vajradhara of Oḍḍiyāna (Orgyen Dorje Chang), together with Yeshe Tsogyal and others, written at the behest of a ḍākinī named Lhakar Drolma (possibly to be identified with Lakar Tsering Chödrön).

This prayer was composed in 1956, the Fire Monkey year, at Samye, while Jamyang Khyentse was offering a tsok feast in the presence of the special ‘Looks Like Me’ image of Guru Padmasambhava (gu ru nga 'dra ma) .

A heartfelt prayer to Guru Rinpoche, the precious master of Oḍḍiyāna, who is referred to as the embodiment of all the buddhas' aspirations and the sole ally and protector of the Tibetan people.

Written in 1928 in the presence of an image of Guru Dewa Chenpo at the famous Lotus Crytsal Cave (padma shel phug), above Dzongsar Monastery.

Written in 1934/35, this short prayer identifies our own pristine awareness, or rigpa, as Guru Padmasambhava, the Lake-born Vajra (mtsho skyes rdo rje).

Composed in 1919, when Jamyang Khyentse was just twenty-six years old.

A four-line prayer to Guru Padmākara, the embodiment of all gurus, chosen deities and ḍākinīs, for the pacification of obstacles and the spontaneous fulfilment of all wishes.

Written in 1956, this is a prayer to Guru Padmasambhava and his consorts, especially Mandāravā and Yeshe Tsogyal.

An invocation of Guru Padmasambhava as the Vajradhara of Oḍḍiyāna (Orgyen Dorje Chang), embodiment of the five kāyas (dharmakāya, sambhogakāya, nirmāṇakāya, svabhāvikakāya and abhisaṃbodhikāya).

A fervent appeal to the great master of Oḍḍiyāna for the fulfilment of all dharmic aspirations, which Jamyang Khyentse says he composed as a means to refresh his own memory.

A very short, six-line prayer to Guru Padmākara for the elimination of obstacles and fulfilment of wishes.

Khyentse Chökyi Lodrö wrote this prayer in Lhodrak Kharchu on the tenth day of the monkey month in the monkey year (1956)—a point in the Tibetan calendar that holds particular significance for followers of Guru Padmasambhava.

Guru Yoga

While on pilgrimage through India in 1956, Jamyang Khyentse meditated at the Indian master Śavari's meditation cave in the Śītavana (‘Cool Grove’) charnel ground near Bodhgayā, resulting in a vision of the mahāsiddha. Soon afterwards he composed this guru yoga.

Jamyang Khyentse wrote this guru yoga in 1959, towards the end of his life, inspired by his own faith and devotion for the great Indian master and the Kadampa tradition that he inspired.

This guru yoga, which focuses on Guru Dewa Chenpo, was composed in early 1948 at the request of a young Khandro Tsering Chödrön (1929–2011).

A simple guru yoga focusing on Jamyang Khyentse Chökyi Lodrö inseparable from Jamyang Khyentse Wangpo, composed at the behest of Khenpo Tsultrim Nyima of Katok Monastery.

A simple guru yoga in which Jamyang Khyentse appears in the form of Guru Padmasambhava, written for a disciple called Jigme Trinlé.

Jamyang Khyentse composed this brief guru sādhana, which focuses on the first human Dzogchen master Garab Dorje, in 1953 following what he describes as a dream experience.

This guru sādhana (bla sgrub) focuses on the master logician Dharmakīrti, but the text also makes apparent reference to one of Jamyang Khyentse's main teachers, Khenpo Kunzang Palden (c.1862–1943), who is also known as Kunzang Chödrak, or Samantabhadra Dharmakīrti.

A guru sādhana (bla sgrub) of Dolpopa Sherab Gyaltsen (1292–1361), in which he appears as the embodiment of the Lords of the Three Families— Avalokiteśvara, Mañjuśrī and Vajrapāṇi.

This practice unites the recitation of the famous Dü Sum Sangyé Prayer with a corresponding visualisation of the four main forms of Guru Padmasambhava according to the Chokling Tersar’s Four Cycles of Guru Yoga (bla sgrub skor bzhi), namely Barché Kunsel, Sampa Lhundrup, Tsokyé Nyingtik and Guru Draktsal. It was composed at the request of a minister to the king of Lingkar.

This simple guru yoga focussing on Guru Drakpo with the master Longsal Dorje at his heart is intended as a means to pacify the harm caused by spirits and to cure sickness of the heart; it was composed in 1957.

A guru yoga featuring the great adept and teacher Lochen Chönyi Zangmo, who is here identified with Yeshe Tsogyal and Vajrayoginī.

A short guru yoga of Milarepa composed in 1955 or 1956 at at Tsurphu, the grand monastery of the Karmapas, at the request of Sogyal Tulku (1947–2019).

Jamyang Khyentse composed this guru yoga practice focusing on Marpa Lotsāwa during a visit to the great translator's former residence at Sekhar in Lhodrak.

Composed in 1954 on the basis of a visionary experience, this guru yoga features the great Indian paṇḍita Haribhadra with the Mother Prajñāpāramitā at his heart.

This guru yoga practice, which features Pema Lingpa with Guru Dewachenpo at his crown and Avalokiteśvara in his heart, was composed in 1956 at the sacred lake known as Pema Ling at the request of Yakzé Lama Gyurdrak (d. 1975).

A simple guru yoga based on Buddha Śākyamuni, which Jamyang Khyentse composed at the sacred site of Bodhgaya in December 1957.

A guru yoga focusing on the so-called Three Mañjuśrīs of Tibet, i.e., Longchen Rabjam (1308–1364), Sakya Paṇḍita (1182–1251) and Tsongkhapa Lobzang Drakpa (1357–1419). Here, Jamyang Khyentse further identifies Longchen Rabjam with the bodhisattva Vajrapāṇi and Tsongkhapa with the bodhisattva Avalokiteśvara.

Jamyang Khyentse composed this guru sādhana focused upon King Songtsen Gampo following a visionary experience he had at the sacred Moon Cave at Drak Yerpa.

Composed in 1958, this simple guru yoga practice of Tsongkhapa Lobzang Drakpa (1357–1419) incorporates the famous Miktsema prayer to the master.

A simple guru yoga based on the form of Avalokiteśvara known as Resting in the Nature of Mind (Semnyi Ngalso).

Extensive notes on the Bright Lamp of the Heart Essence (Nyingtik Saldrön) practice preceded by a general discussion of guru yoga and the importance of following a teacher.

This guru yoga, which features Jamyang Khyentse in heruka form, was composed at the request of Princess Tsering Yudrön of Derge and Nangchen and became especially popular among his disciples.

A simple, unelaborate practice based on the principle that "naked ordinary awareness... is the wisdom mind of the glorious guru."

Jamyang Khyentse wrote this guru yoga focusing on Buddha Śākyamuni (including his sambhogakāya form as Vajradhara and dharmakāya as Samantabhadra) in January 1958 at Rajgir (ancient Rājgṛha) following a visionary experience several days earlier at Bodhgayā.

Jamyang Khyentse seems to have written this brief guru yoga of his teacher Khenchen Samten Lodrö (1868–1931) while the master was still alive.

A simple practice of guru yoga, which features Jamyang Khyentse Wangpo and Jamyang Khyentse Chökyi Lodrö indivisible from Guru Padmasambhava in the form of Orgyen Dorje Chang, the Vajradhara of Oḍḍiyāna, and which includes an aspiration for the stages of the path according to the Great Perfection, or Dzogchen.

This practice unites the recitation of the famous Dü Sum Sangyé Prayer with a corresponding visualisation of the four main forms of Guru Padmasambhava according to the Chokling Tersar’s Four Cycles of Guru Yoga (bla sgrub skor bzhi), namely Barché Kunsel, Sampa Lhundrup, Tsokyé Nyingtik and Guru Draktsal.

History

Inscriptions

Letters

Lineage Prayers

This prayer to the lineage of the Longsal Dorje Nyingpo practice of Vajra Akṣobhya is included in the collected writings of Jamyang Khyentse Chökyi Lodrö (1893–1959) but was likely composed by Getse Mahāpaṇḍita Gyurme Tsewang Chokdrup (1761–1829).

This supplemented prayer to the lineage of Chetsün Nyingtik, the Heart-Essence of Chetsün, features extra lines, added by Khyentse Chökyi Lodrö, to invoke Jamgön Kongtrul, Adzom Drukpa, Shechen Gyaltsab and Chökyi Lodrö himself.

A lineage prayer for the Heart-Essence of the Supreme Hayagrīva Emanation (rta mchog rol pa'i snying thig) cycle, received as an aural transmission (snyan brgyud) by Jamyang Khyentse Wangpo.

A three-verse lineage prayer for the practice of the Lion-Faced Ḍākinī composed at the request of Trulshik Kunzang Pawo Dorje (1897–1962).

Supplementary verses for the lineage prayer of Tsarchen Losal Gyatso's instructions from the Lamdré, including two verses composed by Gatön Ngawang Lekpa and two which Jamyang Khyentse Chökyi Lodrö wrote in 1954 while transmitting the Lamdré Lopshé to Sakya Dagchen Rinpoche.

In these addenda to the standard lineage prayer for Longchen Nyingtik (klong chen snying thig), which is known as The Continuous Shower of Blessings, Jamyang Khyentse highlights two versions of the lineage received by Jamyang Khyentse Wangpo: the full transmission from Khenpo Pema Vajra and the transmission of realization from Jigme Gyalwe Nyugu.

A prayer to the lineage of Dorje Drolö, from the dharmakāya down to Jamyang Khyentse's own teacher, Shechen Gyaltsab Gyurme Pema Namgyal.

A supplication to the lineage of the healing practice known as The Five-Deity Subjugative Hayagrīva (rta mgrin gnyen po lha lnga), a treasure originally revealed by Rigdzin Chokden Gönpo (1497–1557) and later rediscovered by Jamyang Khyentse Wangpo.

A prayer to the lineage of Mitrayogin's Amitāyus practice, part of the Heart-Essence of the Mahāsiddha Mitra (grub chen mi tra'i snying thig) cycle, revealed as a pure vision by Jamyang Khyentse Wangpo.

A lineage supplication for the Red Tāra revealed as a terma by Drikung Tertön Ösel Dorje—a revelation which Jamyang Khyentse helped to compile and which is included among his own collected writings.

Long Life Prayers

Composed to mark Sakya Trichen's enthronement in 1952, this a poetic prayer for the master's longevity and an aspiration for the flourishing of the Sakya teachings.

Written in 1957, possibly for the daughter of Sonam T. Kazi, this is an eight-line prayer for the longevity and flourishing of the incarnation of Lochen Chönyi Zangmo (1853/1865–1950/1951).

A prayer for the longevity of the Twelfth Tai Situpa, Pema Dönyö Nyinché (b. 1954), written at the behest of the Ninth Sangye Nyenpa Rinpoche (1897–1962).

This four-line prayer for the longevity of Jamyang Khyentse Chökyi Lodrö describes the master’s qualities using the trope of threefold categories.

A four-line prayer for the longevity of Jamyang Khyentse Chökyi Lodrö, which was later adapted into a popular supplication.

Jamyang Khyentse composed this brief prayer for his own and Khandro Tsering Chödrön's (1929–2011) longevity at the request of Muksang Rinpoche Pema Kunzang Rangdrol (1916–1984).

Jamyang Khyentse composed this prayer entitled 'Removing Obstacles in the Life of the Ḍākinī' (ḍā ki'i sku tshe'i 'phrang bzlog) for the longevity of his consort Khandro Tsering Chödrön (Āyu Dharma Dīpam) at the request of Parkö Chöpel, a carver of printing blocks at Dzongsar.

A short prayer for the long life of Jigdal Sakya Dagchen Rinpoche (1929–2016), head of the Puntsok Podrang, and his eldest son Mañjuvajra Rinpoche (b. 1953), alias Dhungsey Minzu Sakya.

This seven-verse prayer for the longevity of the Sixteenth Karmapa, Rangjung Rigpé Dorje (1924–1981) was written by Sakya Trichen Ngawang Kunga Tekchen Palbar (b. 1945) and is reproduced in the 2012 edition of the collected writings of Jamyang Khyentse Chökyi Lodrö (1893–1959).

This three-verse prayer for the longevity of Jamyang Khyentse Chökyi Lodrö was written at the behest of Dzongsar Ngari Tulku (1945–2008).

A five-verse prayer for the longevity of Chung Rinpoche, Ngawang Chödrak (1908–1980) of Mindrolling, who was both Jamyang Khyentse's teacher and student.

Jamyang Khyentse composed this seven-verse prayer for the longevity of Dudjom Rinpoche (1904–1987) during the Earth Ox year (1949–1950).

A short prayer for the longevity of the celebrated scholar Öntö Khyenrab Chökyi Özer (1889–1959), who taught at Dzongsar Monastery's scriptural college.

Composed in December 1957 at the request of Tibetans resident in Gangtok, this is one of at least four prayers for His Holiness the Dalai Lama's longevity by Jamyang Khyentse.

It was while he was staying in Lhasa in the mid-1950s that Jamyang Khyentse Chökyi Lodrö composed this prayer for the long life of His Holiness the Dalai Lama.

Jamyang Khyentse Chökyi Lodrö wrote this shorter long-life prayer for His Holiness the Dalai Lama, in three four-line verses, in the sacred place of Yamalung near Samye (most likely in 1956).

A prayer for the long life of the Tenth Paṇchen Lama, Trinlé Lhundrup Chökyi Gyaltsen (1938–1989) composed at the behest of Sakya Dagchen Rinpoche (1929–2016).

This, the longer of two prayers for the longevity of Öntö Khyenrab Chökyi Özer (1889–1959) that Jamyang Khyentse composed, is full of praise for the master's erudition and skill as a teacher.

Verses of truth dedicated to the longevity of Tertön Sogyal Lerab Lingpa (1856–1926), from whom Jamyang Khyentse received numerous transmissions in 1920.

This prayer for longevity, which Jamyang Khyentse composed at the request of Sakya Dagchen Rinpoche (1929–2016) incorporates the syllables of the Dalai Lama's full name: Jetsün Ngawang Lobzang Tenzin Gyatso Sisum Wangyur Tsungmé Palzangpo.

Longevity

Mind Training

Notes

Offerings

Pilgrimage

Jamyang Khyentse composed this prayer at the actual site of the famous Boudha stūpa, known to Tibetans as "Jarung Khashor" (bya rung kha shor), while he was staying in the Kathmandu Valley in 1956/7.

This short prayer, which is addressed directly to the sacred stūpa of Svayambhū (known to Tibetans as Pakpa Shingkun—“Noble All-Trees”) in Nepal, was composed at the site itself, and is part of a series of prayers addressed to the three major stūpas of the Kathmandu Valley.

A prayer to the three main stūpas of the Kathmandu Valley: Jarung Khashor or Boudha, Svayambhū, and Namo Buddha, which commemorates the bodhisattva Mahāsattva's sacrifice to a starving tigress.

This is a poetic guide to the sacred site of Yangleshö (yang le shod) near the village of Pharping to the south of the Kathmandu Valley, where it is said that Guru Padmasambhava attained the level of a Mahāmudrā vidyādhara. Jamyang Khyentse wrote the text following a series of visionary experiences; it has the quality of a revelation and ends with a series of cryptic prophecies.

Verses in praise of three sacred sites: Rājgṛha (rgyal po'i khab), the ancient capital of Magadha; Vulture Peak (bya rgod spungs ri), where Buddha taught the Prajñāpāramitā sūtras; and Nālandā (nālendra), site of the famous monastic university.

Jamyang Khyentse composed this prayer of aspiration at the request of his student Yakzewa Gyurme Drakpa at the Mahābodhi temple in Bodhgaya in January 1958.

A brief overview of the sacred site of Sengchen Namdrak (seng chen gnam brag), one of the twenty-five major sites of Kham, describing its significance as a location of terma revelation and consequent benefits as a place of pilgrimage.

A guide to Gawa Lung (dga' ba lung), the Valley of Joy, or Dorje Menlung (rdo rje sman lung), the Valley of Vajra Medicine, an ideal place for spiritual practice located in north-western Sikkim.

A panegyric on Devāvatāra or Sāṃkāśya, the place where Buddha supposedly returned to earth after spending a rainy season teaching Abhidharma to his mother and others in the deva realm.

A short poetic text in praise of Kuśinagara, the scene of Buddha Śākyamuni's final act, passing beyond this world and into parinirvāṇa.

Although entitled a praise of Vārāṇasī, this short poetic work concerns Sarnath or Ṛṣipatana, located approximately 10 kilometres from that ancient city. It was in the deer park of Sarnath that Buddha Śākyamuni first taught, setting in motion the Wheel of Dharma.

Verses in praise of the sacred site of Yangleshö (yang le shod) near the village of Pharping to the south of the Kathmandu Valley, where it is said that Guru Padmasambhava attained the level of a Mahāmudrā vidyādhara.

In this verse text, probably composed in 1958, Jamyang Khyentse playfully marvels at modernity and expresses a sense of wonder upon encountering the vast Indian city of Kolkata (formerly Calcutta) and all its unfamiliar attractions for the first time. The real highlight of the city as he sees it, however, is the chance to view the Buddha's relics, which were housed at the Indian Museum.

Composed in 1955 when Jamyang Khyentse passed through the area, this is a short verse text in praise of Redreng/Reting, the famous monastery founded by Atiśa's foremost disciple, Dromtönpa Gyalwé Jungné, in 1056–1057.

Jamyang Khyentse wrote this text in praise of Lhodrak Kharchu as he passed through the sacred place in 1956. The site is associated with Namkhai Nyingpo, who is said to have attained accomplishment here through the practice of Yangdak Heruka.

This short prayer to the sacred stūpa at Namo Buddha, which commemorates the Buddha's sacrifice—during one of his previous lives—of his own body to feed a hungry tigress and her cubs, is part of a series of prayers addressed to the three major stūpas of the Kathmandu Valley.

A short poetic text in praise of Śrāvastī (mnyan yod), where Buddha Śākyamuni spent many rainy seasons and where, it is said, he defeated rival teachers in a contest of miraculous ability. Jamyang Khyentse composed the work during a visit to the town in 1956.

Tso Pema (mtsho padma) or 'Lotus Lake' in Rewalsar, Northern India is identified with a lake in the ancient kingdom of Zahor, which was created, it is said, when the king and his ministers attempted to burn Guru Padmasambhava and his consort Mandāravā alive. The master transformed his funeral pyre into a lake, where he appeared, unharmed and seated upon a lotus.

Jamyang Khyentse composed this poem in praise of Lumbinī, the site of Buddha's birth and a major place of pilgrimage, during a visit in the late 1950s.

Practice Guides

Praise

This lengthy praise to the great polymath and prolific scholar Butön Rinchen Drup (1290–1364), which evidently draws upon his biography, was written in October 1941.

An acrostic poem in praise of Thönmi Sambhoṭa who is credited with inventing the Tibetan writing system and composing the first Tibetan grammatical treatises.

Composed during the ceremonies that followed the death of Princess Sangay Deki in 1957, this short texts focuses on the ultimate significance of Vajrasattva as the teacher of threefold tantra.

An acrostic text extolling the goddess Tārā, which Jamyang Khyentse wrote in 1924 when he was 31 years old (or 32 by Tibetan reckoning).

Verses in praise of the great Sakya teacher Ngawang Lekpa (1867–1941) composed at the request of two of his devoted disciples, Yeshe Nyima and Ngawang Rinchen.

Jamyang Khyentse composed these verses in praise of the Buddha of Boundless Life in Gangtok on the first day of the Tibetan year of the Earth Dog (1958).

In this verse panegyric, Khyentse Chökyi Lodrö praises the great Machik Labdrön (ma gcig lab sgron, 1031–1129) and incorporates references to many key terms and concepts from the Chöd ('Cutting') practice for which she is renowned.

A poetic praise of the Buddha's qualities, which Jamyang Khyentse composed at the Mahābodhi Temple, Bodhgaya, in 1956.

Jamyang Khyentse says that he spontaneously composed these verses in praise of the great Jetsün Tāranātha (1575–1634) some time during the Water Bird year (1933–1934) after reading the master's writings.

Three verses in praise of the Sakya lama Jamyang Gyaltsen (1870–1940), who is known primarily for his efforts to gather and publish the collected writings of Gorampa Sonam Senge (1429–1489).

Khyentse Chökyi Lodrö praises the great eleventh-century poet and yogi Milarepa, describing him as a ‘crown-jewel’ among the many siddhas, or accomplished adepts, to have appeared in the Land of Snows.

In these verses, Jamyang Khyentse highlights the special qualities of Jigme Lingpa (1730–1798) by describing his superiority to the majority of scholars, adepts and authors.

A short text in praise of the 'Lords of the Three Families' (rigs gsum mgon po), i.e., Mañjughoṣa, Avalokiteśvara and Vajrapāṇi.

Jamyang Khyentse elaborates on the individual syllables of the main mantra of the forty-two peaceful deities, oṃ āḥ hūṃ hrīḥ bodhicitta mahāsukha jñāna dhātu āḥ, and the main mantra of the fifty-eight wrathful deities, oṃ rulu rulu hūṃ bhyo hūṃ.

Jamyang Khyentse wrote these verses in praise of the famed 11th-century Indian paṇḍita Smṛtijñānakīrti in 1958 after an inspiring dream of the master.

In these twenty-one verses, composed in 1952, Jamyang Khyentse extols the qualities of the Buddha's Words and prays that the teachings may endure until the very end of existence.

Jamyang Khyentse composed these verses of praise, prayer and aspiration when travelling to India for a second time, in or around January 1958.

This lengthy tribute, composed in Sikkim, is an important source of information concerning Khenpo Kunpal's life, even though it seemingly misidentifies his birth year.

Jamyang Khyentse drew heavily upon the famous tantra Chanting the Names of Mañjuśrī (Mañjuśrī-nāma-saṅgīti) in order to compose this praise and supplication to the deities of the five families of Mañjuśrī.

An eight-verse poem in praise of Longchen Rabjam (1308–1364) written in January 1954.

This brief paean to the famed scholar Sakya Paṇḍita Kunga Gyaltsen (1182–1251) is the shortest of at least six such texts composed by Jamyang Khyentse.

Jamyang Khyentse composed this poetic hymn to Sarasvatī while travelling along the Ganges river in the Fire Monkey year (1956).

Written in Kolkata, a city associated with Kālī, these verses of praise identify the goddess as having "a hundred names and thousand attributes" and as being one with Samantabhadrī, Prajñāpāramitā, Ekajaṭī and many other prominent female deities in the Tibetan Buddhist pantheon.

These verses in praise of the great Sakya master Jamyang Loter Wangpo (1847–1914) were composed at the behest of Tsangsar Choktrul Rinpoche.

Jamyang Khyentse composed these eight verses in praise of the great yogi Milarepa on the anniversary of the master's parinirvāṇa in March 1947.

In poetic language, this fifteen-verse tribute recounts the legend of Yeshe Tsogyal's life of liberation, extolling her accomplishments and qualities.

Jamyang Khyentse composed these verses in praise of Chokgyur Dechen Lingpa (1829–1870) while at Tsikey Norbu Ling Monastery, in the presence of the stūpa commemorating the great tertön.

One of two texts in praise of Tsongkhapa Lobzang Drakpa (1357–1419) that Jamyang Khyentse composed, this one dates from early 1959 and follows what he describes as a delusory dream of filling a statue of the master.

Jamyang Khyentse composed this poetic paean to Mañjuśrī, with its long, seventeen-syllable lines, in Gangtok in the summer of 1957.

Verses in praise of the great lord of yogis (rnal 'byor dbang phyug) Virūpa, who is renowned as a mahāsiddha on account of his mastery of tantric practice.

Eleven verses in praise of Mañjuśrī which Jamyang Khyentse composed at the end of the Water Dragon year (i.e., in January 1953), while he was in retreat.

Jamyang Khyentse composed these verses in praise of Mañjuśrī at the request of his master of ceremonies, Lama Chokden, while relaxing in a forest in Darjeeling.

Verses in praise of the famous Mādhyamika master Candrakīrti that the author composed in Darjeeling towards the end of his life.

This brief tribute to Red Sarasvatī was composed by moonlight during an evening boat trip on the Ganges.

These nine verses in praise of the great Sakya teacher Ngorchen Kunga Zangpo (1382–1456) include elements of supplication and the aspiration to emulate the master and receive his continued guidance.

Jamyang Khyentse composed these verses in praise of Vajrakīla while engaged in intensive meditation upon the deity,

Jamyang Khyentse wrote this hymn in praise of the goddess Sarasvatī while he was visiting Palpung Monastery in Eastern Tibet. The text includes her mantra, the recitation of which is said to bring increased intelligence.

Verses in praise of Mañjughoṣa written at the behest of the Third Palpung Öntrul—five verses in praise of the deity's body, speech, mind, qualities and activity, followed by a verse of dedication.

Jamyang Khyentse composed these verses in praise of the famous upāsaka Candragomin when feeling inspired by the master’s life story.

Jamyang Khyentse composed these verses in praise of the famed Sakya scholar Gorampa Sonam Senge in 1958 following a vivid experience that brought the master clearly to mind.

Jamyang Khyentse composed these verses in praise of Longchen Rabjam (1308–1364) during a visit to the master's cave on the slopes of Gangri Tökar.

Jamyang Khyentse composed these verses in praise of Vajrasattva during a visit to Katok Monastery in Kham.

Prayers

Composed in 1946, this supplication to Yeshe Tsogyal identifies her as the universal mother and queen of ḍākinīs and calls upon her assistance to transform one's subtle channels, wind-energies and essences and attain the state of deathlessness.

A prayer to invoke the blessings of five key figures in the Heart Essence (snying thig) tradition of the Great Perfection: Vimalamitra, Melong Dorje, Kumārarāja (Kumaradza), Longchen Rabjam and Jigme Lingpa.

A short prayer written at the request of Thinley Norbu Rinpoche (1931–2011).

In this undated prayer, Jamyang Khyentse calls upon the buddhas and bodhisattvas to help overcomed negative tendencies of body, speech and mind and progress along the path to awakening.

This prayer to Tārā, written in 1936, calls upon her aid to overcome various obstacles, including threats of danger, poverty, depleted vital energy and harmful forces.

Jamyang Khyentse composed this prayer to the great revealer of the Longchen Nyingtik when he passed through the master's place of residence, the Yarlung Valley, during his first trip to central Tibet in 1925.

One of several prayers to Tārā by Jamyang Khyentse, this one was written in Darjeeling during the holy month of Saga Dawa in either 1957 or (more likely) 1958.

Jamyang Khyentse composed this prayer as part of a series of supplications addressed to the Abbot Śāntarakṣita, Guru Padmasambhava, the Dharma King Tri Songdetsen (mkhan slob chos gsum) as well as the future king of Shambhala, Raudracakrin, all written at the behest of the Sixth Dzogchen Rinpoche and a lama from Dzogchen Monastery called Pema Düdül.

An invocation of deities associated with magnetizing and enriching for the sake of the teachings in general and the Sakya teachings in particular.

Jamyang Khyentse composed this invocation of Dza Patrul Rinpoche (1808–1887) on an anniversary of the master's parinirvāṇa, which falls on the eighteenth day of the fourth Tibetan month.

A two-verse prayer to Jamyang Khyentse Chökyi Lodrö composed by the master himself at the request of Yakzé Tsewang Gyurme.

This prayer recalling the accomplishments of Jamgön Mipham Rinpoche, written by the master himself, was later supplemented by additional verses composed by Jamyang Khyentse Chökyi Lodrö at the behest of Khenpo Kunpal (1862–1943).

This two-verse supplication, composed by Jamyang Khyentse himself at the behest of a certain Lama Chödrak, invokes the master's inspiration and blessings as a means to realize the view of the Great Perfection.

A short prayer to inspire the recognition of clear light or luminosity ('od gsal), especially during dream yoga as a preparation for the dawning of luminosity in the bardo or intermediate state.

This prayer to Jamyang Gyaltsen occurs twice in the latest version of Jamyang Khyentse Chökyi Lodrö's collected writings. The colophon to this second occurrence provides the circumstances of its composition: when Jamgyal gave the reading transmission for his new 13-volume edition of Gorampa Sonam Senge's writings at the Dragang retreat centre.

Jamyang Khyentse composed these verses of prayer to Amitāyus after completing the recitation for the Iron Tree longevity practice (tshe sgrub lcags sdong ma), which is part of the Northern Treasures.

A four-line supplication to Mañjuśrī invoking his power to dispel ignorance and grant courageous eloquence (pratibhāna) and intelligence.

A short, four-line prayer to Butön Rinchen Drup (1290–1364), which Khyentse Rinpoche composed on the basis of a dream experience.

This prayer to the extraordinary Gyarong Khandro Dechen Wangmo, who was considered to be an emanation of Mandāravā, was written by Jamyang Khyentse at the request of Khandro Tsering Chödrön (1929–2011).

A two-verse invocation of Jamyang Khyentse Chökyi Lodrö composed by the master himself at the request of two disciples.

This prayer, composed at the request of a physician, invokes Jamyang Khyentse as a manifestation of Khyentse Wangpo and requests his inspiration and blessing to realize the true nature of mind.

This three-verse invocation of both Jamyang Khyentse Wangpo and his reincarnation Jamyang Khyentse Chökyi Lodrö was composed by the latter at the request of a woman called Rigdzin Lhamo.

This prayer to Jamyang Khyentse Wangpo, Jamgön Kongtrul and Jamyang Khyentse Chökyi Lodrö was written for Jamyang Sonam, prince of Yönru in Lithang.

A short supplication to Karse Kongtrul Khyentse Özer (1904–c.1953), who was a reincarnation of Jamgön Kongtrul and son of the Fifteenth Karmapa.

A four-line prayer to Khandro Tsering Chödrön (1929–2011), which identifies her as an emanation of Shelkar Dorje Tso.

A short, two-verse supplication to the famed Dzogchen master Khenchen Ngawang Palzang (1879–1941) alias Khenpo Ngakchung, from whom Jamyang Khyentse received teachings.

A four-line prayer to invoke the blessings of the three great masters Jamyang Khyentse Wangpo, Jamgön Kongtrul Lodrö Thaye and Chokgyur Dechen Lingpa.

This prayer invokes the great translator Marpa Chökyi Lodrö, together with his wife Dakmema, his physical heir Darma Dodé and his foremost spiritual heir Milarepa. Jamyang Khyentse composed the text while on a visit to the site of Marpa's estate in Lhodrak, most likely in 1956.

A short, three-verse supplication to Jamyang Loter Wangpo (1847–1914), which Jamyang Khyentse composed spontaneously when recalling his guru.

A short, four-line supplication of White Tārā, Wish-Fulfilling Jewel, who overcomes death and bestows longevity and wisdom.

A short prayer to noble Tārā requesting her guidance, protection and assistance on the path to awakening.

A prayer to Sé Pakchok Dorje, the mind emanation of Jamyang Khyentse Wangpo (1820–1892) and one of the six sons of Tokden Śākya Śrī (1853–1919), invoking his inspiration and blessings in order to perfect the path of Dzogchen.

A four-line supplication to Tsarchen Losal Gyatso (1502–1567) composed in 1956.

A short, four-line prayer to Yeshe Tsogyal, "the foremost of ḍākinīs" and "Great Bliss Queen".

A short, four-line prayer to Vimalamitra, the great paṇḍita and Dzogchen master.

A prayer to invoke the blessings of the masters of the Kagyü lineage, especially the Karmapa incarnations beginning with Düsum Khyenpa (1110–1193).

Written in Darjeeling in 1958, this supplicated is addressed to Guru Padmasambhava, Tārā (in two forms), Vajrakīla and Mahākāla.

A prayer to six master scholars from the Sakya tradition: Ngorchen Kunga Zangpo (1382–1456), Dzongpa Kunga Namgyal (1432–1496), Yaktön Sangye Pal (1350–1414), Rongtön Sheja Kunrig (1367–1449), Gorampa Sonam Senge (1429–1489) and Śākya Chokden (1428–1507).

A short prayer to Jamyang Loter Wangpo (1847–1914), which Jamyang Khyentse Chökyi Lodrö composed in order to reinvigorate devotion.

A short four-line prayer to Atiśa composed in October 1956 on the master’s anniversary.

This prayer was composed in 1940, following a visionary encounter with the great translator and forefather of the Kagyü tradition and the surge of devotion that this vision inspired.

A brief prayer to the Nyingtik master Adzom Drukpa Drodül Pawo Dorje (1842–1924), who was one of Jamyang Khyentse's most important Dzogchen teachers.

Khyentse Chökyi Lodrö himself composed this prayer to the 'garland' of his own previous incarnations (skye phreng gsol 'debs), from the Buddha Mañjuśrī down to his immediate predecessor, Jamyang Khyentse Wangpo (1820–1892).

This prayer is the only known source for key biographical information about Jamyang Khyenrab Tayé (1862–1937), a master from whom Jamyang Khyentse received the Kālacakra empowerment and other teachings.

Jamyang Khyentse composed this prayer as part of a series of supplications addressed to the Dharma King Tri Songdetsen, Guru Padmasambhava, and Abbot Śāntarakṣita (mkhan slob chos gsum) as well as the future king of Shambhala, Raudracakrin, all written at the behest of the Sixth Dzogchen Rinpoche and a lama from Dzogchen Monastery called Pema Düdül.

A prayer to the Karmapas from the first incarnation, Düsum Khyenpa (1110–1193), through to the fifteenth, Khakhyab Dorje (1870/71–1921/22).

Composed on Milarepa's anniversary in 1952, this eight-verse prayer lauds the great yogin for his accomplishment of the transcendent perfections (pāramitā) and other qualities.

Jamyang Khyentse composed this brief prayer to the famed Drukpa Kagyü adept Yangönpa Gyaltsen Pal (1213–1258) following what he describes as a 'minor visionary experience'.

Jamgön Kongtrul composed this biographical prayer (rnam thar gsol 'debs) to Jamyang Khyentse Wangpo by extracting verses from a longer prayer to the masters of the Shangpa Kagyü lineage. For this edition, which is found in the Rinchen Terdzö, Jamyang Khyense Chökyi Lodrö composed three additional verses that refer to Khyentse Wangpo's parinirvāṇa and rebirth.

Jamyang Khyentse says he composed this prayer to the three deities of long life—Tārā, Amitāyus and Vijayā—after completing the recitation of Chimé Pakmé Nyingtik during his thirty-third year, i.e., in or around 1925.

This longer prayer to Jamyang Khyentse's successive rebirths was composed in 1952 for Dongna Tulku, who requested a long version of the prayer known as Beautiful Garland of Uḍumbara Flowers.

This short prayer based on the life and liberation of Jamyang Khyentse Chökyi Lodrö (1893–1959) was composed by Dilgo Khyentse Rinpoche in the presence of the master's reliquary.

Jamyang Khyentse composed this supplication before the master's reliquary at Dar Drangmoché in 1956.

Dilgo Khyentse Rinpoche adapted the words of a long-life prayer he had previously composed in order to create this supplication, which incorporates the name Jamyang Khyentse Chökyi Lodrö into three of its four verses.

Jamyang Khyentse composed this lament and invocation of his teacher Ngawang Samten Lodrö following the master's passing in 1931.

Composed at the behest of Lama Yeshe Lhundrup, this short prayer invokes the blessings of Götsangpa Gönpo Dorje (1189–1258), founder of the Upper Drukpa branch of the Drukpa Kagyü school.

Jamyang Khyentse composed this ten-verse prayer to the famed Sakya scholar Gorampa Sonam Senge following an auspicious dream some time in 1952 or 1953.

A non-sectarian prayer invoking many of the greatest luminaries in Tibetan Buddhist history, from King Trisong Detsen and the twenty-five disciples of Guru Padmasambhava down to Jamyang Khyentse Wangpo and Jamgön Kongtrul.

Jamyang Khyentse composed this prayer as part of a series of supplications addressed to the Dharma King Tri Songdetsen, Guru Padmasambhava, and Abbot Śāntarakṣita (mkhan slob chos gsum) as well as the future king of Shambhala, Raudracakrin, all written at the behest of the Sixth Dzogchen Rinpoche and a lama from Dzogchen Monastery called Pema Düdül.

A supplication to the successive Trungpa (drung pa) incarnations of Zurmang Monastery, up to and including Jamyang Khyentse's own teacher, Karma Chökyi Nyinché (c. 1879–1938), who was the Tenth Trungpa, and his immediate reincarnation, Chögyam Trungpa (1939–1987).

Prophecy

Recitation Guides

Sādhanas

A short practice of visualization and mantra recitation focused on the Great Mother (yum chen) Prajñāpāramitā in her golden, four-armed appearance.

This brief text, which includes ter marks, is of uncertain origin, but the editors of the latest edition of Jamyang Khyentse Chökyi Lodrö's writings included it on the basis that it is possibly a revelation of his and note that he encouraged his students to recite it during a period of frequent earthquakes.

Jamyang Khyentse composed this simple sādhana of the radiant goddess Mārīcī at the request of the cabinet minister Lukhangpa Tsewang Rabten (1895–1966).

A simple practice of purification by means of Vajrasattva and consort, including recitation of the hundred-syllable and shorter, six-syllable mantras.

A brief sādhana of White Tārā with a special focus on increasing longevity through purifying the potential for untimely death. It was composed for a lama from Dodrup named Tendzin.

A short daily practice of Guru Drakpo, a wrathful form of Padmasambhava, here in his red, two-armed appearance.

A simple daily sādhana of Red Hayagrīva composed at the request of a disciple named Sonam Gyaltsen.

A short daily practice of Kagyé (bka’ brgyad), the Eight Herukas.

A simple visualization and mantra recitation for the practice of Lama Gongdü revealed by the fourteenth-century tertön Sangye Lingpa (1340–1398).

A simple daily sādhana focused on Yamāntaka, the wrathful manifestation of Mañjuśrī.

This simple sādhana of Vajrakīla, requested by Sogyal Rinpoche, contains, in the words of Dilgo Khyentse Rinpoche's colophon, 'the concentrated blessings of kama and terma'.

A very simple practice focusing on Vajrasattva and consort, transcribed from Jamyang Khyentse's own handwritten notes.

A short daily practice of Yangdak Heruka composed in Lhodrak Kharchu at the request of a young Sogyal Rinpoche (1947–2019).

A short daily practice of Dükyi Shechen (bdud kyi gshed chen)—The Great Demon-Slayer—from the Tukdrup Barche Kunsel (‘Dispelling All Obstacles’) cycle of the Chokling Tersar.

A practice for developing wisdom; it is focused on Guru Loden Chokse (blo ldan mchog sred), a form of Guru Padmasambhava, and incorporates two other deities associated with wisdom, the goddess Sarasvatī and the bodhisattva Mañjuśrī.

Here Jamyang Khyentse adapts and expands upon A Means of Purifying Negativity through Amitābha ('od pag med kyi sgo nas sdig pa sbyong ba'i thabs) by Chögyal Pakpa Lodrö Gyaltsen (1235–1280), which is contained in the Sakya Kabum (sa skya bka' 'bum).

This short sādhana of Red Tārā, who is associated with the activity of magnetizing, was composed at the request of Khandro Tsering Chödrön (1929–2011) and her sister Tsering Wangmo of the Lakar family.

Jamyang Khyentse wrote this recitation guide (bklags thabs) for the Vajrakīla Root Tantra Section (phur pa rtsa dum) at the request of his master of ceremonies, Lama Chokden.

Sang Offering

Songs

A spontaneous song in which Jamyang Khyentse mourns the passing of Tertön Sogyal Lerab Lingpa (1856–1926) and calls upon him to continue his work through a further incarnation.

Composed in 1934, this brief devotional song recalls the kindness of Katok Situ Chökyi Gyatso (kaḥ thog si tu chos kyi rgya mtsho, 1880–1925), Jamyang Khyentse's root guru.

A brief song to invoke Jamyang Khyentse's inspiration and blessings as a means to accomplish view, meditation and conduct.

Written for a disciple who was about to travel from Sikkim to Tibet, this brief song encapsulates the message of the intermediate and final turnings of the Wheel of Dharma and explains how to practise the indivisibility of emptiness and compassion.

A brief song of aspiration to perfect the practice of the Great Perfection and realize the three kāyas that are naturally present within the mind.

This spontaneous vajra song makes reference to offering the lamp of wisdom or awareness and employs the terminology of Dzogpachenpo, the Great Perfection.

A simple song of advice addressed to yogins and yoginīs in abecedarian form, meaning that each line begins with the successive letters of the Tibetan alphabet—an effect that is (inadequately) reproduced in the translation.

Jamyang Khyentse says he composed this candid song of self-counsel during the first month of a Snake year as he felt by turns joyous and sorrowful.

A spontaneous song of joy, composed while on pilgrimage to Nepal in late 1956.

One of several short songs for the gaṇacakra feast that Jamyang Khyentse composed, this one invokes Guru Padmasambhava and Yeshe Tsogyal.

This brief song expressing the quintessence of the view of Lamdré—the inseparability of saṃsāra and nirvāṇa ('khor 'das dbyer med)—was composed in Darjeeling on 11 June 1958.

In this short song, composed in 1942, Jamyang Khyentse expresses sadness for his own situation in the age of degeneration and calls out to those he regards as his six main teachers: Jamyang Loter Wangpo (1847–1914), Katok Situ Chökyi Gyatso (1880–1925), Shechen Gyaltsab Gyurme Pema Namgyal (1871–1926), Adzom Drukpa (1842–1924), Dodrupchen Jigme Tenpai Nyima (1865–1926) and Gatön Ngawang Lekpa (1867–1941).

Composed in 1949, this song of lament is addressed to Jamyang Khyentse's principal guru, Jamyang Loter Wangpo (1847–1914). The song expresses the author's grief and sadness at his own misfortune for having failed to encounter his master in visions or dreams.

This song calling upon Guru Padmasambhava to come to the aid of Tibetans was written during the Fire Dog year (1946).

Jamyang Khyentse wrote this lamenting prayer in early 1944 as soon as he heard that his teacher, Khenpo Kunzang Palden, had died just a few days earlier in late December 1943.

A devotional invocation of the great Sakya patriarch Kunga Nyingpo (1092–1158) with a request for his blessings and assistance on the path.

A brief song of prayer to invoke the guru's inspiration and blessings as a means to progress along the path, composed at the behest of Jamyang Chöpel.

A short, three-verse song invoking the nature of the three kāyas as a means to perfect Dzogchen realization.

In this short song on the theme of longevity every line of the original Tibetan begins with the syllable 'chi, which means death or mortality.

A spontaneous song or doha expressing confidence in Dzogchen realization, which Jamyang Khyentse tells us he offered to the guru of his own awareness.

Jamyang Khyentse says that he composed this song of invocation and prayer out of sadness. In it, he calls upon the great yogin to help him overcome his failings and turn his mind towards the Dharma.

Verses on Dzogchen, which occurred to Jamyang Khyentse spontaneously while he was at Taktse Podrang (stag rtse pho brang) in Sikkim in 1956.

Jamyang Khyentse says that he was moved to compose this song of sorrow when he had fallen sick and was reflecting on the various ills of the age.

Spontaneously composed verses on the uniqueness and profundity of the Dzogchen approach, which centres on the recognition of mind's intrinsic awareness.

This song of devotion, composed on the master's anniversary in 1950, emphasizes the ultimate nature of Longchen Rabjam, according to which he does not exist externally but in the nature of one's own mind.

A short song of realisation that succinctly describes the ground, path and fruition of Mahāmudrā.

A devotional song addressed to Jamyang Khyentse himself which the master composed at Drakmar Keutsang in Chimpu for his student Parkö Chöpel, a carver of woodblocks for printing.

Jamyang Khyentse composed this poetic, devotional invocation of the great Dzogchen master Longchen Rabjam (1308–1364) in 1934.

Jamyang Khyentse composed these verses in November 1925 upon learning of the passing of his teacher Katok Situ Chökyi Gyatso (1880–1925). The text makes it clear that Katok Situ's death occurred in the ninth month of the Wood Ox year.

Inspired by the speech of Kunzang Dechen Tsomo (1906–1987), Queen Mother of Sikkim, these verses acknowledge the kindness of past dharma patrons and masters and appeal for nonsectarianism and the flourishing of the teachings.

Composed in 1932, this song of devotion invokes the Dzogchen master Longchen Rabjam (1308–1364) and appeals for his inspiration and blessings as a means to progress along the path.

When Jamyang Khyentse witnessed the devastating effect of frost upon flowers, he considered this a metaphor for impermanence in a broader sense and composed a poignant song of reflection.

Sundok

Sur Offering

Swift Rebirth Prayers

Dilgo Khyentse Rinpoche composed this moving prayer of lament in the presence of Jamyang Khyentse's sacred remains (sku gdung) at the request of Dzongsar Ngari Tulku (1945–2008) and other disciples.

A five-verse prayer for the swift reincarnation of Jamyang Khyenrab Tayé (1862–1937), a master from whom Jamyang Khyentse received the Kālacakra empowerment and other teachings.

Jamyang Khyentse wrote this prayer upon the death of Gyurme Tsewang Gyatso, who was both his teacher and his father, as a call for his swift rebirth and as an aspiration.

A four-verse prayer for the swift reincarnation of Dampa Rinpoche Ngawang Lodrö Nyingpo (1876–1953), the sixty-fifth great abbot (mkhan chen) of Ngor.

A prayer for the swift return of the Fifth Dzogchen Rinpoche, Thupten Chökyi Dorje (1872–1935), written at the request of a monk-disciple.

A short, two-verse prayer for the swift rebirth of Katok Situ Chökyi Gyatso (1880–1925) composed at the request of Lekshe Jorden, a prominent khenpo at Katok Monastery.

Jamyang Khyentse composed this eleven-verse invocation and prayer for swift rebirth shortly after the passing of the Thirteenth Dalai Lama, which occurred at the end of 1933.

A short, four-verse prayer for the swift rebirth of Jamyang Loter Wangpo (1847–1914) composed at the request of Ngor Khenchen Jamyang Kunzang Tenpai Gyaltsen.

Tantra

Transference

Tsok Offering