Mipham Rinpoche Series
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བོད་ཡིག (120)
Ju Mipham Namgyal Gyatso
Courtesy of Himalayan Art Resources
Name variants:
- Dhīḥ
- Jampal Gyepe Dorje
- Ju Mipham
- Lodrö Drimé
- Mipham Namgyal Gyatso
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Through the blessings of the youthful Mañjuśrī, the union of awareness and emptiness,
You released the eight brilliant treasures,
Master of an ocean of treasure-like teachings of the Dharma in both aspects, transmission and realization—
To you, Mipham Rinpoche, Mañjuśrī in person, I pray!
Texts by and about the great Nyingma polymath Jamgön Mipham Namgyal Gyatso (mi pham rnam rgyal rgya mtsho, 1846-1912), arguably the most influential Tibetan scholar of recent times:
Advice
This very short yet practical set of instructions, composed in verse, was written at the request of several beginners.
Mipham Rinpoche gave this text in thirty-seven verses to the Third Dodrupchen Jigme Tenpe Nyima as a sealed scroll while they were both at Dzongsar Monastery. Although the precise date is unclear, it seems likely that this was in or around 1886. The text is a mixture of personal, often cryptic advice and prophecy.
In this inventive song a debate between Waking and Dreaming, about which one is real, is adjudicated by Profound Wisdom (prajñā).
In a few lines of verse, Mipham explains the essence of Dzogchen Atiyoga, which is, in turn, the essence of the 84000 approaches of the Dharma.
A four-line verse that Mipham Rinpoche composed while recalling Jamyang Khyentse Wangpo (1820–1892) who had passed into parinirvāṇa two days earlier.
A short text in verse that outlines various stages in the cultivation of śamatha, or calm abiding.
Written in 1906, this short text contains the most profound instruction on the practice of śamatha, or calm abiding, in which mind is turned upon itself.
Properly titled Wondrous Talk Brought About by Conversing with a Friend (Grogs dang gtam gleng ba'i rkyen las mtshar gtam), this playful text pokes fun at followers of the Nyingma, Sakya, Kagyü and Gelug (or Gendenpa) schools, in order to highlight potential pitfalls associated with each tradition, while also pointing out the absurdity of sectarian prejudice in general.
In these six pithy verses, composed in 1896, Mipham explains the relative strengths of each of the four main Tibetan Buddhist Schools—Nyingma (rnying ma), Kagyü (bka' brgyud), Gelug (dge lugs) and Sakya (sa skya)—and appeals to their followers to tolerate and respect one another.
A short text in verse, composed in 1893, which highlights the shortcomings of wild discursive thought and the consequent need for mindfulness (smṛti; dran pa) and vigilance (saṃprajanya; shes bzhin).
In this short text of practical advice, Mipham Rinpoche defines mental stillness, movement and awareness and explains how understanding the 'secret of the mind' leads to deeper levels of realization.
This short advice in verse explains the perfect equality (mnyam pa nyid) of the dharmadhātu (chos kyi dbyings), the space-like nature of phenomena, which, Mipham says, is a crucial point to understand in both sūtra and tantra. Mipham wrote this text in 1901.
Three pith instructions for dealing with fear, sickness and harm: dissolving the outer world into the body, dissolving the body into the outer world, and dissolution into space-like non-duality.
Aspiration Prayers
A four-line prayer for summoning the spirit of abundance (g.yang) together with all that is excellent and auspicious.
A four-line prayer of aspiration related to the four activities—pacifying, enriching, magnetizing and subjugating—composed in 1891.
A short prayer of aspiration to accompany the offering of a butter lamp (mar me).
A short prayer incorporating the four causes of rebirth in Sukhāvatī, namely: 1) visualizing the pure realm, 2) accumulating merit and purifying obscurations, 3) generating bodhicitta, and 4) making prayers of aspiration and dedicating all sources of virtue towards rebirth in Sukhāvatī.
This 72-line liturgy for the practice of yang-guk (g.yang 'gugs), or 'summoning the spirit of abundance (or prosperity)' was composed in 1896.
A brief prayer to be reborn on the Copper-Coloured Mountain of Glory, or Zangdok Palri, in the presence of Guru Padmasambhava, and to complete the path to enlightenment in that pure realm, so as to work for others’ benefit.
This popular prayer, which Mipham wrote in 1896, is addressed to the eight sugatas, eight bodhisattvas, eight goddesses of auspiciousness, and eight guardians of the world. It is recited at the outset of any virtuous project, or indeed any activity of any kind, in order to bring about auspiciousness, success and good fortune.
Mipham Rinpoche composed this four-verse prayer of aspiration for peace and happiness in 1888 at the behest of Tokden Shakya Shri (1853–1919).
This prayer for the spread of the teachings of the Nyingma tradition is among Mipham Rinpoche's most famous compositions. It is recited daily at the annual Monlam Chenmo festival and was the subject of a major commentary by Mipham's student and lineage-holder, Shechen Gyaltsab Pema Namgyal (1871–1926).
Averting Obstacles
Benedictory Verses
Buddhist Philosophy
In this short text, Mipham Rinpoche succinctly explains what is meant by the self of the individual (pudgalātman; gang zag gi bdag) and the 'self' (or identity) of phenomena (dharmātman; chos kyi bdag), and he describes how to become certain as to the non-existence of them both. The author also highlights the importance of distinguishing between a more superficial, conceptual understanding and a genuine, non-conceptual realization of ultimate reality.
This section of Gateway to Learning (mKhas 'jug) explains the so-called "Four Great Logical Arguments of the Middle Way" (dbu ma'i gtan tshigs chen po bzhi), which are: 1) investigation of the cause: the Diamond Splinters; 2) investigation of the result: refuting existent or non-existent results; 3) investigation of the essential identity: ‘neither one nor many’; and 4) investigation of all: the Great Interdependence. This translation also includes some comments from Khenpo Nüden's celebrated commentary.
Extracted from Gateway to Learning (mKhas 'jug), this section on the selflessness of the individual (gang zag gi bdag med) explains the absence of any permanent, unitary, independent and all-pervading self, either identical to or distinct from the five aggregates (pañcaskandhā; phung po lnga).
Composed in 1892 and appended to The Wheel of Analytical Meditation (dpyad sgom 'khor lo ma), this instruction continues that text's analysis, extending it to all phenomena. Its central message is that the nature of all things, i.e., appearance and emptiness, can only be fully understood through meditation.
Mipham Rinpoche elaborates on the practice that he introduced in The Wheel of Analytical Meditation (dpyad sgom 'khor lo ma) by offering further instruction on contemplating how the five aggregates are multiple, impermanent, painful and devoid of self.
One of Mipham's best known works, this treatise in 104 verses was written in just a single day in 1885. It is structured around the four principles of reasoning (rigs pa bzhi)—of causal efficiency, dependence, nature and establishing a proof—and the four reliances (rton pa bzhi), i.e., Rely not on the individual but the Dharma; Rely not on the words but the meaning; Rely not on the provisional but the definitive meaning; Rely not on ordinary consciousness but wisdom.
This short verse-text sets out to clarify the term "self-awareness" (rang rig; svasaṃvedana), especially as it is used in Dzogchen, and challenges those who reject the notion. Mipham points out that self-awareness is something to be experienced firsthand, not debated or speculated about.
Composed in a single day in 1891, this celebrated verse text offers a practical guide to meditating analytically on the multiplicity, impermanence, suffering nature and selflessness of the aggregates, as an antidote to the mental afflictions (kleśa; nyon mongs).
Dharma Protectors
A four-line prayer to accompany an offering to the protectress Durtrö Lhamo (dur khrod lha mo), Mistress of the Charnel Ground.
A four-line prayer to accompany offerings to Ekajaṭī, protectress of the Dzogchen teachings.
A four-line prayer to accompany offerings to Mahādeva and consort, the protectors associated with the activity of magnetizing.
A four-line prayer to accompany offerings to Tsiu Marpo, the special protector of Samye Monastery.
A four-line prayer to accompany offerings to Za Rāhula, a major protector of the Nyingma teachings.
A four-line prayer to accompany offerings to Vajrasādhu (Tib. Dorje Lekpa), a major protector of the Nyingma teachings.
A four-line liturgy to accompany offerings to the female protectors, including Ekajaṭī, Rematī and Makzor Gyalmo.
A four-line liturgy to accompany offerings to the male protectors, especially Mahākāla in his various forms.
A four-line prayer to the Five Mentsün Sisters (sman btsun mched lnga), who are also known as the Five Sisters of Long Life, together with a mantra, composed in 1892.
Dzogchen
Also known as the "instruction that points directly to the very essence of mind in the tradition of ‘the old realized ones’ (rtogs ldan rgan po)", this is a pithy guide to Dzogchen meditation written for 'village yogis' and other practitioners without a background in study. It includes three separate instructions, for: 1) cracking open the egg-shell of ignorance, 2) cutting the web of saṃsāric existence, and 3) remaining in space-like equalness.
Mipham Rinpoche boils the practice of Trekchö down to the three crucial points of knowing the essence of mind, sustaining that recognition in meditation and allowing thoughts to subside beyond benefit and harm.
Written using the language of the Great Perfection, this prayer, which Mipham wrote in 1886, is an aspiration to realize the nature of mind — indestructible awareness and emptiness — and the true meaning of Mañjuśrī.
In this short text, Mipham Rinpoche attempts—by his own admission—to express the inexpressible. Aware of the challenge and the apparent contradiction, he nevertheless offers various descriptions of mind's ineffable essence "for the sake of those fortunate individuals who seek to penetrate the profound meaning of dharmatā."
In this, one of his most popular Dzogchen instructions, Mipham Rinpoche explains how to go beyond the initial stage of the recognition (ngo shes) of the face of rigpa, or pure awareness, to the subsequent stages of perfecting the strength (rtsal rdzogs) and gaining stability (brtan pa thob).
Written in 1893/4, this brief versified instruction outlines the key points of Trekchö (khregs chod) practice through an explanation of the four ways of leaving things as they are (cog bzhag bzhi).
This short instruction in verse was written in 1876. It explains the nature of mind, which is 'seen', or realised, in an experience that transcends the duality of seeing and seen.
Gesar
A brief, eight-line windhorse invocation focused especially on Gesar and his retinue, which Mipham composed in his hermitage in Rudam in 1903.
A short, four-line prayer to accompany offerings to Gesar.
A short prayer calling upon Gesar to shower down his inspiration and blessings.
This brief 'first-portion' offering (phud mchod) to Gesar and his retinue for the sake of prosperity, which Mipham composed in 1872, is said to bring about "the four treasures of longevity, glory, wealth and prosperity," and fulfilment of all wishes and requirements.
Mipham wrote this four-line prayer to Gesar—the "Great Lion and Foe-Subduing Jewel" (seng chen nor bu dgra 'dul)—in 1896.
Mipham composed this short, four-line windhorse prayer to Gesar and his retinue in 1905.
This brief rite of offering and requesting Gesar to carry out activity was written in 1880. As with the other texts in this section of Mipham's works Gesar appears not only as powerful warrior-figure but as an enlightened emanation of Guru Padmasambhava.
This daily prayer to Gesar includes elements of invocation, offering, and supplication related to the four types of activity—pacifying, enriching, magnetizing and wrathful subjugation.
This invocation and offering rite, popularly known as Söllo Chenmo (gsol lo chen mo), is among Mipham Rinpoche's most famous and celebrated works. Composed in free verse between 1877 and 1880, it invokes Gesar in his peaceful, enriching, magnetizing, wrathful and varied forms and is considered to be so powerful that it is only recited on special occasions when much is at stake.
Composed in 1884, this is a short eight-line prayer together with a mantra to accompany the offering of amṛta nectar and torma.
This practice of guru yoga, which Mipham wrote in 1887, is said to be an especially swift means of receiving Gesar's blessings and signs of accomplishment.
Guru Yoga
Kurukullā
Lineage Prayers
Long-Life Prayers
Longevity
Lungta
Mantras
Offering
Praise
A poem of eight verses praising the bodhisattva Kṣitigarbha (Essence of the Earth), playing on the literal meaning of his name and evoking the earth's qualities as a nurturing support and foundation for growth and development.
This praise to the Abbot Śāntarakṣita is part of a set of three praises commemorating the lives of the so-called Abbot, Master and Dharma-King (Khen Lob Chö Sum), i.e., Śāntarakṣita, Guru Padmasambhava and Trisong Detsen.
In thirty-two verses, Mipham Rinpoche praises the ultimate Mañjuśrī, beyond colour and physical characteristics, the basic space of enlightened mind in which all is equal.
This praise to the Emperor Tri Songdetsen is part of a set of three praises commemorating the lives of the so-called Abbot, Master and Dharma-King (Khen Lob Chö Sum), i.e., Śāntarakṣita, Guru Padmasambhava and Tri Songdetsen.
This praise to the Master Padmasambhava is part of a set of three praises commemorating the lives of the so-called Abbot, Master and Dharma-King (Khen Lob Chö Sum), i.e., Śāntarakṣita, Guru Padmasambhava and Trisong Detsen.
Prayers
This prayer recalling the accomplishments of Jamgön Mipham Rinpoche, written by the master himself, was later supplemented by additional verses composed by Jamyang Khyentse Chökyi Lodrö at the behest of Khenpo Kunpal (1862–1943).
A prayer to receive the protection of Buddha Akṣobhya in order to overcome anxiety and suffering and to discover the lasting peace and happiness of freedom from fear.
Dilgo Khyentse Rinpoche composed this 16-line prayer to the great Dzogchen master Longchen Rabjam (1308–1363) based on the writings of Ju Mipham.
A four-line prayer to the famous 11th-century paṇḍita and translator who travelled to eastern Tibet.
Three prayers—a petition for the purification of impairments and breakages of samaya, a brief supplication to Mañjuśrī, and an appeal to the Three Roots—all composed in the Earth Pig year, i.e., 1899/1900.
This prayer of magnetizing (dbang du bsdud pa) all appearance and existence, which Ju Mipham wrote in 1879, focuses on nine deities associated with magnetizing: Padmasambhava in the form of Padmarāja or Pema Gyalpo (padma rgyal po), Vajradharma (rdo rje chos), Amitābha, Avalokiteśvara in the form of Padmapāṇi, Hayagrīva, Guhyajñāna, Vajravārāhī, Kurukullā and the King of Desire ('dod pa'i rgyal po). It was made popular in recent years by the late Khenchen Jigme Phuntsok.
Prayers to Guru Rinpoche
Prayers to Mañjuśrī
Prayers to Śākyamuni
Preliminary Practice
Sādhanas
A simple sādhana of Yellow Jambhala, deity of wealth.
A simple practice of Kurukullā, the female deity associated with magnetizing activity.
A short means of accomplishment (sādhana) focused on the goddess Sitātapatrā in her two-armed form.
A simple sādhana of White Sarasvatī, the goddess of eloquence, to bring mastery of speech.
This simple sādhana of the deity Acala, the 'Immovable One'—here in his dark blue, genuflecting form—is described as a powerful antidote to obstacles including infectious disease.
This simple visualization and mantra recitation for the bodhisattva Kṣitigarbha draws on both the Sūtra of the Ten Wheels of Kṣitigarbha (Daśacakrakṣitigarbhasūtra) and the Ḍhāraṇī of the One Hundred and Eight Names of Kṣitigarbha.
A very brief sādhana of Mārīcī, goddess of the dawn, in the form known as Aśokakāntā-Mārīcī, who is golden and has one face and two hands.
This simple practice of Avalokiteśvara, the Bodhisattva of Compassion, includes a visualisation to accompany the recitation of the six-syllable mantra, oṃ maṇi padme hūṃ, or, optionally, the seven-syllable mantra, oṃ maṇi padme hūṃ hrīḥ.
Sang Offering
Saving Lives
Songs
Sur Offering
Tārā
Topical Outlines
Tsok
Vajrasattva
