Courtesy of Himalayan Art Resources
A series of texts of advice and practical instructions on the path in general as well as more specific topics such as the intermediate states (bar do), Dzogchen, Mahāmudrā and retreat:
A simple song of advice addressed to yogins and yoginīs in acrostic form, meaning that each line begins with the successive letters of the Tibetan alphabet—an effect that is (inadequately) reproduced in the translation.
In this profound instruction on the process of dying and the intermediate state, or bardo, the great Longchen Rabjam explains how to see death from a Dzogchen perspective and how to attain liberation either at the moment of death or thereafter in the bardos of dharmatā or becoming.
In this short instruction in verse, Khenpo Pema Vajra explains the key points of the path in general and of the Great Perfection in particular. His practical advice includes what to do in the intermediate state, or bardo.
One of the better known instructions from the collection known as Responses to Questions, Advice from the Guru's Direct Instructions (bla ma dmar khrid kyi zhal gdams zhus lan skor), which is included in the Precious Treasury of Revelations (rin chen gter mdzod). The text contains simple advice from Guru Padmasambhava for his elderly disciple, Ngok Sherab Gyalpo.
Definitions of the five wisdoms (ye shes lnga), i.e., the wisdom of dharmadhātu, mirror-like wisdom, wisdom of equality, wisdom of discernment and all-accomplishing wisdom, according to the oral tradition of Khenpo Ngawang Palzang, aka Khenpo Ngakchung.
In this song of yearning devotion, or prayer of 'calling the guru from afar' (bla ma rgyang 'bod), the late Kyabje Chatral Rinpoche offers his followers some profound advice related to "the swift path of the luminous Great Perfection."
In these four short lines, written in 1989, Dilgo Khyentse Rinpoche encapsulates the entire Buddhist path, which includes the cultivation of devotion, non-distraction, the recollection of death and impermanence, and compassion.
In this short text, Kyabje Dudjom Rinpoche explains some important points of conduct to be observed by the saṅgha of monastic practitioners and the saṅgha of vidyādhara yogins. It was written with a view to preserving aspects of tradition in danger of being lost forever.
This general advice from the great Jamgön Kongtrul Lodrö Tayé covers every level of the spiritual path. Drawing upon famous statements by Atiśa and Śāntideva, he offers ethical guidance and practical instructions for watching the mind, cultivating renunciation, compassion and devotion, and realising the nature of all phenomena.
In response to a question from his spiritual consort, Khandro Tsering Chödrön, Jamyang Khyentse explains the essence of the path in just a few lines. (Khandro's question is in the form of an acrostic poem, the opening syllables of its four lines being the first four syllables of the Tibetan alphabet).
- The Essence of Nectar: Graduated Stages of the Path — Advice for Renunciant Meditators by Jamyang Khyentse Wangpo
These verses of advice for renunicant meditators (spong ba bsam gtan pa) cover the entire Buddhist path, from instructions on following a spiritual friend through to the most advanced generation and perfection phase practices.
Essential advice on every stage of the path from beginning to end. As Longchenpa puts it in the text itself: "Even if we were to meet in person, I would have no greater instruction to give you than this. So take it to heart, all the time, and in any situation."
Longchen Rabjam tells us that he composed these thirty verses of heartfelt advice for himself and others like him, out of a sense of renunciation. In what has become one of his most famous and popular teachings, he advocates simplicity, ethical discipline, humility, and, above all, diligent practice.
Mipham Rinpoche gave this text in thirty-seven verses to the Third Dodrupchen Jigme Tenpe Nyima as a sealed scroll while they were both at Dzongsar Monastery. Although the precise date is unclear, it seems likely that this was in or around 1886. The text is a mixture of personal, often cryptic advice and prophecy.
This short advice in verse explains the perfect equality (mnyam pa nyid) of the dharmadhātu (chos kyi dbyings), the space-like nature of phenomena, which, Mipham says, is a crucial point to understand in both sūtra and tantra. Mipham wrote this text in 1901.
In this brief song Nyala Pema Dündul advises his audience how to give up the eight ordinary concerns, or 'worldly dharmas' ('jig rten chos brgyad), i.e., hope for happiness and fear of suffering; hope for fame and fear of insignificance; hope for praise and fear of blame; hope for gain and fear of loss.
- The Joyous Entrance to the Path to Liberation: How to Practise the Six Transcendent Perfections by Rongtön Sheja Künrig
The Viśuddhadarśanacaryopadeśa (lta spyod rnam dag gi man ngag) is a very brief work included in the Tengyur. In it Śākyaśrībhadra discusses the empty, illusory nature of reality and recommends meditation on 'emptiness with compassion as its core' (stong nyid snying rje'i snying po can).
Composed spontaneously at the sacred mountain of Wu Tai Shan, this is one of the late Khenchen Jigme Phuntsok's most famous works. In 23 verses, which were written down in just 23 minutes, it encapsulates the entire Buddhist path from basic instructions on how to follow a spiritual teacher through to the advanced meditations of the generation and perfection phases and the pinnacle of all forms of practice, the Great Perfection.
Properly titled Wondrous Talk Brought About by Conversing with a Friend (Grogs dang gtam gleng ba'i rkyen las mtshar gtam), this playful text pokes fun at followers of the Nyingma, Sakya, Kagyü and Gelug (or Gendenpa) schools, in order to highlight potential pitfalls associated with each tradition, while also pointing out the absurdity of sectarian prejudice in general.
Khenpo Gangshar describes this pithy advice on how to be truly happy by settling into realization of mind's essential nature as "insane ramblings", but it will surely be of great benefit to practitioners.
In these six pithy verses, composed in 1896, Mipham explains the relative strengths of each of the four main Tibetan Buddhist Schools—Nyingma (rnying ma), Kagyü (bka' brgyud), Gelug (dge lugs) and Sakya (sa skya)—and appeals to their followers to tolerate and respect one another.
In this teaching, which was originally intended for participants in a three-year retreat in Chanteloube, in the Dordogne region of France, Dilgo Khyentse Rinpoche discusses the importance of faith, renunciation, compassion, and looking into the nature of mind.
Longchenpa describes this text as a letter sent from his mind to itself, and, as befits such a personal message, it is heartfelt and candid. The core of the message is simple enough: to leave behind the busyness of saṃsāra and set out instead for the peace and tranquility of the forest, where "meditation naturally grows" and "one can find the bliss of inner peace." Yet while Longchenpa makes this point uncompromisingly, his language, particularly in describing the kind of wild woodland sanctuary he recommends, is often beautifully evocative and poetic.
In this poem Nyala Pema Dündul praises the peace of isolated mountain hermitages and retreats, contrasting it not only with the hustle and bustle of towns and villages, but also with the everyday comings and goings of ordinary monasteries.
Written for his close disciple, Alak Dongak Gyatso (1824–1902), this text of Patrul Rinpoche offers advice on the purpose and significance of solitude. Brief as it is, the work is of interest not only for its comments on retreat, but also for the clues it holds about Alak Dongak's life, especially as no complete biography has yet come to light and his writings have not survived.
Khenchen Jigme Phuntsok sang this doha spontaneously in 1996 at a time when various outer, inner and secret obstacles had been overcome. It stresses the importance of meditating on Dzogchen, cultivating bodhicitta, maintaining ethical discipline, and having a positive basic character.
- Rain of Accomplishments: A Song that Incorporates the Four Mindfulnesses from an Instruction on the View of the Middle Way by Seventh Dalai Lama
This famous song summarizes four forms of mindfulness, which Mañjuśrī taught to Tsongkhapa: 1) mindfulness of the guru; 2) mindfulness of bodhicitta; 3) mindfulness of the body as a divine body; and 4) mindfulness of the view of emptiness.
In this short song the famous yogi Shabkar Tsokdruk Rangdrol explains the essence of all practices, from the contemplations of the outer preliminaries to the practices of the inner preliminaries, and the main practices of the generation and perfection stages.