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Guru Yoga Series

English (47) | Deutsch (3) | Español (2) | Français (4) | Italiano (2) | Nederlands (1) | 中文 (4) | བོད་ཡིག (47)


Jatsön Nyingpo

Courtesy of Himalayan Art Resources

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Unless the sun of devotion shines

Upon the snow peak of the master’s four kāyas,

The stream of blessings will never fall.

So strive to arouse devotion in your mind!

A series of Guru Yoga (bla ma'i rnal 'byor) practices:

Atiśa Dīpaṃkara

Jamyang Khyentse wrote this guru yoga in 1959, towards the end of his life, inspired by his own faith and devotion for the great Indian master and the Kadampa tradition that he inspired.

Buddha Śākyamuni

A simple guru yoga based on Buddha Śākyamuni, which Jamyang Khyentse composed at the sacred site of Bodhgaya in December 1957.

Jamyang Khyentse wrote this guru yoga focusing on Buddha Śākyamuni (including his sambhogakāya form as Vajradhara and dharmakāya as Samantabhadra) in January 1958 at Rajgir (ancient Rājgṛha) following a visionary experience several days earlier at Bodhgayā.

Chatral Rinpoche

A short yet profound guru yoga composed at the insistence of close students and which is still recited daily by many disciples. The practice incorporates a unique mantra based on Rinpoche's name and employs imagery associated with the Great Perfection.

Dorje Tötreng Tsal

In this guru yoga, a mind terma of Tertön Sogyal, the lama is visualized in the form of Dorje Tötreng Tsal. The text was revealed in association with the Nechung Oracle and it remains a daily practice of Nechung Monastery to this day.

Dzogchen

A simple, unelaborate practice based on the principle that "naked ordinary awareness... is the wisdom mind of the glorious guru."

This short, unelaborate guru yoga is written from an absolute perspective, according to which clear, empty awareness is the very nature of the guru, and the practice is simply to remain in such a state.

A short guru yoga in which the guru is the embodiment of all lineage masters, especially Samantabhadra, Guru Padmasambhava, Dorje Drolö, Düddul Lingpa, Dudjom Lingpa, Dodrupchen Jigme Tenpe Nyima and Lerab Lingpa himself. The text remained for many years in the possession of Tulku Dorje Dradül (1891–1959), Dudjom Lingpa's youngest son, and was copied by Kyala Khenpo (1893–1957).

Garab Dorje

Jamyang Khyentse composed this brief guru sādhana, which focuses on the first human Dzogchen master Garab Dorje, in 1953 following what he describes as a dream experience.

A simple guru yoga to invoke the nirmāṇakāya Garab Dorje and receive the blessings of his wisdom mind.

Gesar

This practice of guru yoga focused on "the great lion Gesar" it said to be especially swift in bringing blessings and signs of accomplishment. Mipham wrote it in 1887.

Haribhadra

Composed in 1954 on the basis of a visionary experience, this guru yoga features the great Indian paṇḍita Haribhadra with the Mother Prajñāpāramitā at his heart.

Jamyang Khyentse Chökyi Lodrö

This short guru yoga features Jamyang Khyentse Chökyi Lodrö, Dudjom Rinpoche, Khandro Tsering Chödrön, Jamyang Khyentse Wangpo, and Dilgo Khyentse Rinpoche himself.

A letter to a fellow disciple of Jamyang Khyentse Chökyi Lodrö offering essential advice on how to practise the celebrated Nyingtik Saldrön guru yoga, which focuses on Jamyang Khyentse in heruka form.

This gaṇacakra feast liturgy for the Nyingtik Saldrön guru yoga practice of Jamyang Khyentse in heruka form was composed at the request of Princess Yudrön and Dilgo Khyentse Rinpoche.

Extensive notes on the Bright Lamp of the Heart Essence (Nyingtik Saldrön) practice preceded by a general discussion of guru yoga and the importance of following a teacher.

This guru yoga, which features Jamyang Khyentse in heruka form, was composed at the request of Princess Tsering Yudrön of Derge and Nangchen and became especially popular among his disciples.

Jamyang Loter Wangpo

A simple practice of guru yoga focusing on the celebrated Sakya teacher Jamyang Loter Wangpo, composed by the master himself.

Jigme Lingpa

This guru yoga, composed by the master himself, includes invocation and prayer, the seven-branch offering, mantra recitation and receiving of the four empowerments.

Khenchen Jigme Phuntsok

This guru yoga, written in 1995, is one of the late Khenchen Jigme Phuntsok's most famous compositions. He later wrote a heart-advice as a supporting instruction for it.

Lochen Chönyi Zangmo

A guru yoga featuring the great adept and teacher Lochen Chönyi Zangmo, who is here identified with Yeshe Tsogyal and Vajrayoginī.

Longchen Rabjam

A very simple practice of guru devotion focused on Longchen Rabjam (1308–1364), referred to here as Kunkhyen Chenpo, the Great Omniscient One.

Mañjuśrī

This brief guru yoga incorporates elements of the common and uncommon preliminaries; it concludes with the four empowerments, the fourth of which represents the ultimate form of practice.

Marpa Chökyi Lodrö

Jamyang Khyentse composed this guru yoga practice focusing on Marpa Lotsāwa during a visit to the great translator's former residence at Sekhar in Lhodrak.

Milarepa

A short guru yoga of Milarepa composed in 1955 or 1956 at at Tsurphu, the grand monastery of the Karmapas, at the request of Sogyal Tulku (1947–2019).

An elaborate practice of supplication or prayer to the great poet-yogi Milarepa, preceded by practices for taking refuge and generating bodhicitta.

A simple guru yoga practice focusing on the great poet-yogi Milarepa; it includes the standard elements of visualisation, invocation, mantra recitation, dissolution and dedication.

Mipham Rinpoche

The shorter of two guru yoga texts focusing on Jamgön Mipham Rinpoche that Shechen Gyaltsab, one of the master's foremost disciples, composed.

Ngawang Samten Lodrö

Jamyang Khyentse seems to have written this brief guru yoga of his teacher Khenchen Samten Lodrö (1868–1931) while the master was still alive.

Ngöndro

A simple guru yoga focusing on Sera Khandro as an emanation of Yeshe Tsogyal and invoking her inspiration and blessings to realize the meaning of Dzogchen, the Great Perfection.

Padmasambhava

This concise guru yoga centres around the famous prayer to Guru Padmasambhava known as The Prayer in Six Vajra Lines, or Dü Sum Sangye, Chokgyur Dechen Lingpa's own terma revelation. To this is added a simple visualization and a prayer to reach the Copper-coloured Mountain of Glory.

A simple practice of guru yoga, which features Jamyang Khyentse Wangpo and Jamyang Khyentse Chökyi Lodrö indivisible from Guru Padmasambhava in the form of Orgyen Dorje Chang, the Vajradhara of Oḍḍiyāna, and which includes an aspiration for the stages of the path according to the Great Perfection, or Dzogchen.

This simple and popular guru yoga focusing is based on the famous seven-line prayer (tshig bdun gsol 'debs) to Guru Padmasambhava first revealed in the thirteenth century by Chökyi Wangchuk (1212–1270).

This arrangement of Mipham Rinpoche's famous Shower of Blessings Guru Yoga practice adds opening verses of refuge and bodhicitta, a torma offering to the obstructing forces, visualization of the protective sphere and the descent of blessings, as well as concluding verses for the remainder offering, aspiration and dedication.

Pema Lingpa

This guru yoga practice, which features Pema Lingpa with Guru Dewachenpo at his crown and Avalokiteśvara in his heart, was composed in 1956 at the sacred lake known as Pema Ling at the request of Yakzé Lama Gyurdrak (d. 1975).

Rongzom Chökyi Zangpo

A simple guru yoga focusing on the celebrated Nyingma scholar Rongzom Chökyi Zangpo, who is here identified with Mañjuśrī, the embodiment of wisdom.

Sakya Paṇḍita

Dilgo Khyentse Rinpoche composed separate outer, inner and secret guru yoga practices with the great scholar, Sakya Paṇḍita as their object. Here is the outer practice, complete with visualization, prayer and mantra recitation, in which the focus is on the master as inseparable from Mañjuśrī.

Śavari

While on pilgrimage through India in 1956, Jamyang Khyentse meditated at the Indian master Śavari's meditation cave in the Śītavana (‘Cool Grove’) charnel ground near Bodhgayā, resulting in a vision of the mahāsiddha. Soon afterwards he composed this guru yoga.

Sera Khandro

This guru yoga, which Sera Khandro describes as a visionary experience put it into words, is a supplement to the Dharmatā Ḍākinīs' Secret Treasury (Chönyi Khandrö Sangdzö) cycle. It includes many of the standard elements of a preliminary practice (ngöndro) and is structured around the 'Four Dharmas of Gampopa', i.e., turning the mind towards the Dharma, making progress along the path, clarifying confusion, and allowing confusion to dawn as wisdom.

Smṛtijñānakīrti

Mipham composed this very short guru yoga focusing on the 11th-century paṇḍita Smṛtijñānakīrti for the practice of a disciple named Karma Wangyal.

Songtsen Gampo

Jamyang Khyentse composed this guru sādhana focused upon King Songtsen Gampo following a visionary experience he had at the sacred Moon Cave at Drak Yerpa.

Three Deities of Long Life

This guru yoga of the three deities of longevity—White Tārā 'Wish-fulfilling Wheel', Amitāyus and Uṣṇīṣavijayā—is considered an auxiliary to the Chimé Pakmé Nyingtik practice.

Three Mañjughoṣas

A guru yoga focusing on the so-called Three Mañjuśrīs of Tibet, i.e., Longchen Rabjam (1308–1364), Sakya Paṇḍita (1182–1251) and Tsongkhapa Lobzang Drakpa (1357–1419). Here, Jamyang Khyentse further identifies Longchen Rabjam with the bodhisattva Vajrapāṇi and Tsongkhapa with the bodhisattva Avalokiteśvara.

Trulshik Rinpoche

Kyabje Trulshik Rinpoche composed this simple guru yoga, which focuses upon himself, at the request of Khachö Tsering Palmo while he was bestowing the Nyingma Kama transmissions at Shechen Monastery in Nepal.

Tsongkhapa Lobzang Drakpa

Composed in 1958, this simple guru yoga practice of Tsongkhapa Lobzang Drakpa (1357–1419) incorporates the famous Miktsema prayer to the master.

Vajrasattva

Part of the Longchen Nyingtik cycle, this Vajrasattva guru yoga is entitled 'Cultivating the Pure Realm of Abhirati (or Manifest Joy)' but is often known simply as 'Dorsem Ngön-ga' (Abhirati Vajrasattva). It includes all the standard elements of visualization, offering, mantra recitation and receiving empowerment.

Kurukullā

Mipham composed this simple practice of guru yoga focussed upon the red magnetizing goddess Kurukullā (rig byed ma) in 1891.

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